Curator

  • Art Institute Chicago
  • Harvard art museum
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Marriage of Moses and Sephora by the High Priest of Madian (after mosaic in Santa Maria Maggiore, Rome)

Marriage of Moses and Sephora by the High Priest of Madian (after mosaic in Santa Maria Maggiore, Rome)

Unidentified Artist

Grape-Vine, from an Eleventh-Century Mosaic in the Ceiling of the Vestibule of the Church of Saint Mark at Venice

Grape-Vine, from an Eleventh-Century Mosaic in the Ceiling of the Vestibule of the Church of Saint Mark at Venice, 1840 - 1930

Charles Herbert Moore

Polished gray, green and brown jade spear tip in a bronze shaft with turquoise inlay

Jade Spearhead in a Bronze Socket

Chinese

Polished gray jade spear tip in a bronze shaft with turquoise inlay

Jade Spearhead in a Bronze Socket

Chinese

A polished jade blade is set in a bronze handle inlaid with turquoise

Dagger-Axe in a Bronze Haft with Curved End

Chinese

Botanical watercolor drawing of two zinnia-related flower stems with an opened-winged moth in lower right.

Plant and Insect Study: "Acinea"; Versicolora Moth or Butterfly

Unidentified Artist

Tracing of Mosaic in Church of Hagia Sophia, Istanbul (Central Lunette of Narthex: Mother of God and Emperor Leo VI)

Tracing of Mosaic in Church of Hagia Sophia, Istanbul (Central Lunette of Narthex: Mother of God and Emperor Leo VI)

Byzantine

Frontal View of a Statue of a Seated Bishop, San Zenone, Verona; verso: Mosaic Inscription from the Torcello Cathedral

Frontal View of a Statue of a Seated Bishop, San Zenone, Verona; verso: Mosaic Inscription from the Torcello Cathedral, 1856 - 1925

John Singer Sargent

Muse

Muse

Roman

Tracing of Mosaic in Church of Hagia Sophia, Istanbul (Central Lunette of Narthex: Mother of God and Emperor Leo VI, part II)

Tracing of Mosaic in Church of Hagia Sophia, Istanbul (Central Lunette of Narthex: Mother of God and Emperor Leo VI, part II)

Byzantine

Untitled (bleed-through from previous page, left page); Untitled (mosaic designs, right page)

Untitled (bleed-through from previous page, left page); Untitled (mosaic designs, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through from previous page, left page); Untitled (mosaic design, right page)

Untitled (bleed-through from previous page, left page); Untitled (mosaic design, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through from previous page, left page); Untitled (mosaic design, right page)

Untitled (bleed-through from previous page, left page); Untitled (mosaic design, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through from previous page, left page); Untitled (mosaic design, right page)

Untitled (bleed-through from previous page, left page); Untitled (mosaic design, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through from previous page, left page); Untitled (mosaic designs, right page)

Untitled (bleed-through from previous page, left page); Untitled (mosaic designs, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through from previous page, left page); Untitled (mosaic designs, right page)

Untitled (bleed-through from previous page, left page); Untitled (mosaic designs, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through from previous page, left page); Untitled (mosaic designs, right page)

Untitled (bleed-through from previous page, left page); Untitled (mosaic designs, right page), 1928 - 2014

Otto Piene

A drawing of four figures in an interior, one standing and three seated.

Virgil Reading the Aeneid to Augustus, 1780 - 1867

Jean-Auguste-Dominique Ingres

A drawing of six figures in an interior.

Virgil Reading the Aeneid to Augustus (Study for "Tu Marcellus Eris"), 1780 - 1867

Jean-Auguste-Dominique Ingres

A mosaic picture on the ceiling of the crypt, representing the gulf of Hell (fol. q ii recto)

A mosaic picture on the ceiling of the crypt, representing the gulf of Hell (fol. q ii recto)

Anonymous Germany

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