Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
The courtesans Hanaōgi and Takigawa of the Ogi House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Hanaōgi and Takigawa of the Ogi House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Segawa and Matsundo of the Matsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Segawa and Matsundo of the Matsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Utagawa and Nanasato of the Yotsume House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Utagawa and Nanasato of the Yotsume House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

A stucco sculpture of a head with their hair up.

Head of a Buddhist Figure

Gandharan

Marcus Aurelius

Marcus Aurelius

Unidentified Artist

A limestone relief depicting the profile of a man with a short, curled beard. He looks to the right and wears a headpiece that is made of many small rectangles pointing up.

Relief Fragment: Head of an Archer of the Royal Guard

Achaemenid

A limestone relief depicting the profile of a man’s head with a short, curled beard. He looks to the left and wears a headpiece that is made of many small rectangles pointing up.

Relief Fragment: Head of an Archer of the Royal Guard

Achaemenid

Head of an Eastern Woman ("The Ponsonby Head")

Head of an Eastern Woman ("The Ponsonby Head")

Roman

Standing Courtesan Looking into a Mirror/ Tiger Skin (Tora no kawa), Third of the Right Group (Migi sanban), from the series Treasure Match (Takara awase), with poems by Rairoen Kakudaru, Rakuseian and Shakuyakutei

Standing Courtesan Looking into a Mirror/ Tiger Skin (Tora no kawa), Third of the Right Group (Migi sanban), from the series Treasure Match (Takara awase), with poems by Rairoen Kakudaru, Rakuseian and Shakuyakutei, 1780-1850

Totoya Hokkei 魚屋北渓

Left to right, 1963.43.1:Watercolor of woman sitting on bed looking out window, 1963.43.2: Image of figure lying on bed with face hidden by bed frame, 1963.43.3: Circular image of figure kneeling at coffin.

The Tragedy of an Honest Wife: Fredegonda, Seated before a Window, Watches Galswintha's Arrival, 1836 - 1912

Lawrence Alma-Tadema

Left to right, 1963.43.1:Watercolor of woman sitting on bed looking out window, 1963.43.2: Image of figure lying on bed with face hidden by bed frame, 1963.43.3: Circular image of figure kneeling at coffin.

The Tragedy of an Honest Wife: King Chilperic before Galswintha's Tomb, 1836 - 1912

Lawrence Alma-Tadema

Left to right, 1963.43.1:Watercolor of woman sitting on bed looking out window, 1963.43.2: Image of figure lying on bed with face hidden by bed frame, 1963.43.3: Circular image of figure kneeling at coffin.

The Tragedy of an Honest Wife: Galswintha on Her Death Bed, 1836 - 1912

Lawrence Alma-Tadema

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The Twelve Zodiac Animals as Poets (Jūnishi Kasen)

The Twelve Zodiac Animals as Poets (Jūnishi Kasen), 1637 - 1702

Attributed to Kano Shōun

A rectangular textile fragment showing two vertical bands in black depicting lions, rabbits, riders, dancers/hunters, birds, and flowers on a yellowed, off-white ground.

Tunic Front: Riders and Dancers

Byzantine

Starlets in the Green Room, Bombay

Starlets in the Green Room, Bombay

Ketaki Sheth

Pen Box with Birds, Flowers, and Butterflies

Pen Box with Birds, Flowers, and Butterflies

The courtesans Utagawa and Nanasato of the Yotsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Utagawa and Nanasato of the Yotsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Segawa and Matsundo of the Matsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Segawa and Matsundo of the Matsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

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