Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
The courtesans Hinazuru and Chōzan of the Chōji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Hinazuru and Chōzan of the Chōji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Hanaōgi and Takigawa of the Ogi House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Hanaōgi and Takigawa of the Ogi House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Segawa and Matsundo of the Matsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Segawa and Matsundo of the Matsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Utagawa and Nanasato of the Yotsume House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Utagawa and Nanasato of the Yotsume House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

Afterword by Akerakan Shujin (Akera Kankō) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

Afterword by Akerakan Shujin (Akera Kankō) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Utagawa and Nanasato of the Yotsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Utagawa and Nanasato of the Yotsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Segawa and Matsundo of the Matsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Segawa and Matsundo of the Matsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Hitomoto and Tagasode of the Daimonji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Hitomoto and Tagasode of the Daimonji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Hanaōgi and Takigawa of the Ogi House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Hanaōgi and Takigawa of the Ogi House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Hinazuru and Chōzan of the Chōji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Hinazuru and Chōzan of the Chōji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Azumaya and Kokonoe of the Matsukane House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Azumaya and Kokonoe of the Matsukane House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

A robed woman.

Woman Holding a Pomegranate

Etruscan

Standing Courtesan Looking into a Mirror/ Tiger Skin (Tora no kawa), Third of the Right Group (Migi sanban), from the series Treasure Match (Takara awase), with poems by Rairoen Kakudaru, Rakuseian and Shakuyakutei

Standing Courtesan Looking into a Mirror/ Tiger Skin (Tora no kawa), Third of the Right Group (Migi sanban), from the series Treasure Match (Takara awase), with poems by Rairoen Kakudaru, Rakuseian and Shakuyakutei, 1780-1850

Totoya Hokkei 魚屋北渓

Left to right, 1963.43.1:Watercolor of woman sitting on bed looking out window, 1963.43.2: Image of figure lying on bed with face hidden by bed frame, 1963.43.3: Circular image of figure kneeling at coffin.

The Tragedy of an Honest Wife: Fredegonda, Seated before a Window, Watches Galswintha's Arrival, 1836 - 1912

Lawrence Alma-Tadema

Left to right, 1963.43.1:Watercolor of woman sitting on bed looking out window, 1963.43.2: Image of figure lying on bed with face hidden by bed frame, 1963.43.3: Circular image of figure kneeling at coffin.

The Tragedy of an Honest Wife: King Chilperic before Galswintha's Tomb, 1836 - 1912

Lawrence Alma-Tadema

Left to right, 1963.43.1:Watercolor of woman sitting on bed looking out window, 1963.43.2: Image of figure lying on bed with face hidden by bed frame, 1963.43.3: Circular image of figure kneeling at coffin.

The Tragedy of an Honest Wife: Galswintha on Her Death Bed, 1836 - 1912

Lawrence Alma-Tadema

Dancing Girl Mimyō from the Mirror of the East (Maime Mimyō: Azuma kagami), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)

Dancing Girl Mimyō from the Mirror of the East (Maime Mimyō: Azuma kagami), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), 1786? - 1868

Yashima Gakutei 八島岳亭

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

Young Man in a Hurry (Twelfth--end of set): Politics in New York are not for the weak-willed or the sensitive -- Lindsay mirrors some of the strain of a mayoral race. But politics is his life, his profession and his talent -- and he intends to stay in the race.

Young Man in a Hurry (Twelfth--end of set): Politics in New York are not for the weak-willed or the sensitive -- Lindsay mirrors some of the strain of a mayoral race. But politics is his life, his profession and his talent -- and he intends to stay in the race., 1945 - 1984

Gordon W. Gahan

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