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Seated Bodhisattva Vajrapuspâ (Kongōke Bosatsu), from a notebook depicting the Diamond World Mandala (Kongōkai Mandara), from a book once housed at Mount Kōya (Wakayama prefecture) and then later in the temple Ganjō-ji (Kumamoto prefecture)

Seated Bodhisattva Vajrapuspâ (Kongōke Bosatsu), from a notebook depicting the Diamond World Mandala (Kongōkai Mandara), from a book once housed at Mount Kōya (Wakayama prefecture) and then later in the temple Ganjō-ji (Kumamoto prefecture), active circa 1132 - 1174

Attributed to Takuma Tametō

Archer with the Head of a Horse and the Face of a Man, Carrying a Bow and Arrow (painting, recto; text, verso), folio from a manuscript

Archer with the Head of a Horse and the Face of a Man, Carrying a Bow and Arrow (painting, recto; text, verso), folio from a manuscript

Indian

Sketch of kneeling woman clasping hands while wounded man reclines against her

Pietà, c. 1425 - 1489

Workshop of Simon Marmion

George Washington (1732-1799)

George Washington (1732-1799), 1756 - 1843

John Trumbull

Fac-simile of Ornamental Letters, from a French MS of the Thirteenth Century, in the British Museum

Fac-simile of Ornamental Letters, from a French MS of the Thirteenth Century, in the British Museum, 1840 - 1930

Charles Herbert Moore

Untitled (blank, left page); Untitled (blank, right page)

Untitled (blank, left page); Untitled (blank, right page), 1928 - 2014

Otto Piene

Untitled (blank, left page); Untitled (blank, right page)

Untitled (blank, left page); Untitled (blank, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (sketch of painting, right page)

Untitled (lines and checkmark, left page); Untitled (sketch of painting, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (pen sketches, right page)

Untitled (lines and checkmark, left page); Untitled (pen sketches, right page), 1928 - 2014

Otto Piene

Untitled ("Brown" sketch, left page); Untitled ("Light" sketch, right page)

Untitled ("Brown" sketch, left page); Untitled ("Light" sketch, right page), 1928 - 2014

Otto Piene

Untitled (page layout design, left page); Untitled ("Vorsatzpapier," right page)

Untitled (page layout design, left page); Untitled ("Vorsatzpapier," right page), 1928 - 2014

Otto Piene

Washing the Manuscript, from the series Refined Beauties as the Seven Komachi (Fūryū bijin nana Komachi: Soshi arai Komachi)

Washing the Manuscript, from the series Refined Beauties as the Seven Komachi (Fūryū bijin nana Komachi: Soshi arai Komachi), 1787 - 1867

Kikugawa Eizan 菊川英山

Landscape, in the Styles of Li Tang and Wu Wei

Landscape, in the Styles of Li Tang and Wu Wei

Chinese

Untitled (lines and checkmark, left page); Untitled ("Gold on Black" sketch, right page)

Untitled (lines and checkmark, left page); Untitled ("Gold on Black" sketch, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled ("White on Olive" sketch, right page)

Untitled (lines and checkmark, left page); Untitled ("White on Olive" sketch, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (page layout design, right page)

Untitled (lines and checkmark, left page); Untitled (page layout design, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (page layout design, right page)

Untitled (lines and checkmark, left page); Untitled (page layout design, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (blank, right page)

Untitled (bleed-through of previous page, left page); Untitled (blank, right page), 1928 - 2014

Otto Piene

Untitled (notes, left page); Untitled (bleed-through of following page, right page)

Untitled (notes, left page); Untitled (bleed-through of following page, right page), 1928 - 2014

Otto Piene

Untitled (notes, left page); Untitled (bleed-through of following page, right page)

Untitled (notes, left page); Untitled (bleed-through of following page, right page), 1928 - 2014

Otto Piene

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