Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Sketch of kneeling woman clasping hands while wounded man reclines against her

Pietà, c. 1425 - 1489

Workshop of Simon Marmion

George Washington (1732-1799)

George Washington (1732-1799), 1756 - 1843

John Trumbull

Fac-simile of Ornamental Letters, from a French MS of the Thirteenth Century, in the British Museum

Fac-simile of Ornamental Letters, from a French MS of the Thirteenth Century, in the British Museum, 1840 - 1930

Charles Herbert Moore

Untitled (blank, left page); Untitled (blank, right page)

Untitled (blank, left page); Untitled (blank, right page), 1928 - 2014

Otto Piene

Untitled (blank, left page); Untitled (blank, right page)

Untitled (blank, left page); Untitled (blank, right page), 1928 - 2014

Otto Piene

Landscape, in the Styles of Li Tang and Wu Wei

Landscape, in the Styles of Li Tang and Wu Wei

Chinese

Untitled (lines and checkmark, left page); Untitled (sketch of painting, right page)

Untitled (lines and checkmark, left page); Untitled (sketch of painting, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (pen sketches, right page)

Untitled (lines and checkmark, left page); Untitled (pen sketches, right page), 1928 - 2014

Otto Piene

Untitled ("Brown" sketch, left page); Untitled ("Light" sketch, right page)

Untitled ("Brown" sketch, left page); Untitled ("Light" sketch, right page), 1928 - 2014

Otto Piene

Untitled (page layout design, left page); Untitled ("Vorsatzpapier," right page)

Untitled (page layout design, left page); Untitled ("Vorsatzpapier," right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled ("Gold on Black" sketch, right page)

Untitled (lines and checkmark, left page); Untitled ("Gold on Black" sketch, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled ("White on Olive" sketch, right page)

Untitled (lines and checkmark, left page); Untitled ("White on Olive" sketch, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (page layout design, right page)

Untitled (lines and checkmark, left page); Untitled (page layout design, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (page layout design, right page)

Untitled (lines and checkmark, left page); Untitled (page layout design, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (blank, right page)

Untitled (bleed-through of previous page, left page); Untitled (blank, right page), 1928 - 2014

Otto Piene

Untitled (notes, left page); Untitled (bleed-through of following page, right page)

Untitled (notes, left page); Untitled (bleed-through of following page, right page), 1928 - 2014

Otto Piene

Untitled (notes, left page); Untitled (bleed-through of following page, right page)

Untitled (notes, left page); Untitled (bleed-through of following page, right page), 1928 - 2014

Otto Piene

Untitled (notes, left page); Untitled (bleed-through of following page, right page)

Untitled (notes, left page); Untitled (bleed-through of following page, right page), 1928 - 2014

Otto Piene

Untitled (notes, left page); Untitled (bleed-through of following page, right page)

Untitled (notes, left page); Untitled (bleed-through of following page, right page), 1928 - 2014

Otto Piene

Washing the Manuscript, from the series Refined Beauties as the Seven Komachi (Fūryū bijin nana Komachi: Soshi arai Komachi)

Washing the Manuscript, from the series Refined Beauties as the Seven Komachi (Fūryū bijin nana Komachi: Soshi arai Komachi), 1787 - 1867

Kikugawa Eizan 菊川英山

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