Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Collection of Verse of a Thousand Years (Senzai wakashū)

Collection of Verse of a Thousand Years (Senzai wakashū), 1579 - 1638

Karasumaru Mitsuhiro

Seated Maitreya Buddha Attended by Two Monks and with Two Guardian Figures Standing in the Foreground

Seated Maitreya Buddha Attended by Two Monks and with Two Guardian Figures Standing in the Foreground

Chinese

Three Panels of Calligraphy with Floral Border, folio from an album

Three Panels of Calligraphy with Floral Border, folio from an album

Mughal

Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, Marquis de Lafayette (1757-1834)

Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, Marquis de Lafayette (1757-1834), 1795 - 1858

Ary Scheffer

Zen Saying

Zen Saying, 1685 - 1768

Hakuin Ekaku 白隠慧鶴

Seated Bodhisattva Vajrapuspâ (Kongōke Bosatsu), from a notebook depicting the Diamond World Mandala (Kongōkai Mandara), from a book once housed at Mount Kōya (Wakayama prefecture) and then later in the temple Ganjō-ji (Kumamoto prefecture)

Seated Bodhisattva Vajrapuspâ (Kongōke Bosatsu), from a notebook depicting the Diamond World Mandala (Kongōkai Mandara), from a book once housed at Mount Kōya (Wakayama prefecture) and then later in the temple Ganjō-ji (Kumamoto prefecture), active circa 1132 - 1174

Attributed to Takuma Tametō

Sketch of kneeling woman clasping hands while wounded man reclines against her

Pietà, c. 1425 - 1489

Workshop of Simon Marmion

George Washington (1732-1799)

George Washington (1732-1799), 1756 - 1843

John Trumbull

Fac-simile of Ornamental Letters, from a French MS of the Thirteenth Century, in the British Museum

Fac-simile of Ornamental Letters, from a French MS of the Thirteenth Century, in the British Museum, 1840 - 1930

Charles Herbert Moore

Untitled (blank, left page); Untitled (blank, right page)

Untitled (blank, left page); Untitled (blank, right page), 1928 - 2014

Otto Piene

Untitled (blank, left page); Untitled (blank, right page)

Untitled (blank, left page); Untitled (blank, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (sketch of painting, right page)

Untitled (lines and checkmark, left page); Untitled (sketch of painting, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (pen sketches, right page)

Untitled (lines and checkmark, left page); Untitled (pen sketches, right page), 1928 - 2014

Otto Piene

Untitled ("Brown" sketch, left page); Untitled ("Light" sketch, right page)

Untitled ("Brown" sketch, left page); Untitled ("Light" sketch, right page), 1928 - 2014

Otto Piene

Untitled (page layout design, left page); Untitled ("Vorsatzpapier," right page)

Untitled (page layout design, left page); Untitled ("Vorsatzpapier," right page), 1928 - 2014

Otto Piene

Washing the Manuscript, from the series Refined Beauties as the Seven Komachi (Fūryū bijin nana Komachi: Soshi arai Komachi)

Washing the Manuscript, from the series Refined Beauties as the Seven Komachi (Fūryū bijin nana Komachi: Soshi arai Komachi), 1787 - 1867

Kikugawa Eizan 菊川英山

Untitled (lines and checkmark, left page); Untitled ("Gold on Black" sketch, right page)

Untitled (lines and checkmark, left page); Untitled ("Gold on Black" sketch, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled ("White on Olive" sketch, right page)

Untitled (lines and checkmark, left page); Untitled ("White on Olive" sketch, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (page layout design, right page)

Untitled (lines and checkmark, left page); Untitled (page layout design, right page), 1928 - 2014

Otto Piene

Untitled (lines and checkmark, left page); Untitled (page layout design, right page)

Untitled (lines and checkmark, left page); Untitled (page layout design, right page), 1928 - 2014

Otto Piene

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