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The sarlawh of the fourth section (blank recto; sarlawh verso of folio 145), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

The sarlawh of the fourth section (blank recto; sarlawh verso of folio 145), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Persian

Illuminated margin and interlinear gilt text (illumination and gilt recto; text verso of folio 146), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Illuminated margin and interlinear gilt text (illumination and gilt recto; text verso of folio 146), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Persian

Colophon of the fourth section (colophon recto; blank verso of folio 188), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Colophon of the fourth section (colophon recto; blank verso of folio 188), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Persian

Illuminated sarlawh of the fifth section (blank recto; sarlawh verso of folio 189), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Illuminated sarlawh of the fifth section (blank recto; sarlawh verso of folio 189), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Persian

Illuminated margin and interlinear gilt text folio (illumination and gilt recto; text verso of folio 190), from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rum

Illuminated margin and interlinear gilt text folio (illumination and gilt recto; text verso of folio 190), from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rum

Persian

Text folio (text recto; blank verso of folio 239), from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Text folio (text recto; blank verso of folio 239), from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Persian

Illuminated sarlawh of the sixth section (blank recto; sarlawh verso of folio 240), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Illuminated sarlawh of the sixth section (blank recto; sarlawh verso of folio 240), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Persian

Illuminated margin and interlinear gilt text folio (illumination and gilt recto; text verso of folio 241), from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Illuminated margin and interlinear gilt text folio (illumination and gilt recto; text verso of folio 241), from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Persian

Text folio with the colophon of the sixth section (text recto; blank verso of folio 294), from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Text folio with the colophon of the sixth section (text recto; blank verso of folio 294), from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Persian

A black and white print portrays a dead man being taken down from the cross on which he was killed.

The Descent from the Cross: Second Plate, 1606 - 1669

Rembrandt Harmensz. van Rijn

Left to right, 1963.43.1:Watercolor of woman sitting on bed looking out window, 1963.43.2: Image of figure lying on bed with face hidden by bed frame, 1963.43.3: Circular image of figure kneeling at coffin.

The Tragedy of an Honest Wife: Fredegonda, Seated before a Window, Watches Galswintha's Arrival, 1836 - 1912

Lawrence Alma-Tadema

Left to right, 1963.43.1:Watercolor of woman sitting on bed looking out window, 1963.43.2: Image of figure lying on bed with face hidden by bed frame, 1963.43.3: Circular image of figure kneeling at coffin.

The Tragedy of an Honest Wife: King Chilperic before Galswintha's Tomb, 1836 - 1912

Lawrence Alma-Tadema

Left to right, 1963.43.1:Watercolor of woman sitting on bed looking out window, 1963.43.2: Image of figure lying on bed with face hidden by bed frame, 1963.43.3: Circular image of figure kneeling at coffin.

The Tragedy of an Honest Wife: Galswintha on Her Death Bed, 1836 - 1912

Lawrence Alma-Tadema

Bowl with scenes of figures on horseback

Mina'i Bowl with Horsemen, Seated Figures and Harpies, and Pseudo-inscription around the Exterior

Persian

Image of nine figures seated at an L-shaped table over the words SECESSION/49.AUSSTELLUNG/9-6 1K-.

The Friends (Study for the Poster for the 49th Exhibition of the Vienna Secession), 1890 - 1918

Egon Schiele

A man visible from the chest up with wounds on his head and hands

The Man of Sorrows, c. 1451/54 - 1549

Aelbert Bouts

A crying woman visible from the waist up with her hands together.

The Mater Dolorosa, c. 1451/54 - 1549

Aelbert Bouts

A painting in two shades of brown, gray, white, black and red.

Proun 12E, 1890 - 1941

El Lissitzky

A woman smiles as she sits stooped in front of a basin washing articles of clothing

The Laundress, 1725 - 1805

Jean-Baptiste Greuze

Six-sided enameled box painted with scenes of figures and animals.

Salt Cellar with Episodes from the Life of Hercules

Unidentified Artist

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