Hillscape; verso: Inscription from 1 John, chapter 5, 1856 - 1925
John Singer Sargent
Study of Branches with Berries, 1856 - 1925
John Singer Sargent
Sketch of Trumpeting Angels, after a Tiepolo Ceiling Decoration, 1856 - 1925
John Singer Sargent
Detail of North Entrance, Cathedral, Plaza de la Almoina, Palma, Mallorca (Majorca), 1856 - 1925
John Singer Sargent
Architectural Sketch of Westminster Abbey, 1856 - 1925
John Singer Sargent
Falcon, Mummy, and Vulture, after an Egyptian original, 1856 - 1925
John Singer Sargent
Sculpture of Nandi; verso: Sketches for the Vaulting of the Pagan Gods, Boston Public Library, 1856 - 1925
John Singer Sargent
Sculpture of Nandi; verso: Sketches for the Pagan End, Boston Public Library, 1856 - 1925
John Singer Sargent
Coiled Serpent, after an Aztec Sculpture in the British Museum, 1856 - 1925
John Singer Sargent
Lion, after an Achaemenid Relief in the Louvre, 1856 - 1925
John Singer Sargent
Head of a Bull, after an Achaemenid Capital in the Louvre, 1856 - 1925
John Singer Sargent
Three-Quarter View of a Statue of a Seated Bishop, San Zenone, Verona, 1856 - 1925
John Singer Sargent
Sketch of a Male Torso; verso: Two Studies of Sandaled Foot, 1856 - 1925
John Singer Sargent
Study of Turkeys, 1856 - 1925
John Singer Sargent
Sketch of Grape Leaves, 1856 - 1925
John Singer Sargent
Study for "Man and Woman on a Bed", 1856 - 1925
John Singer Sargent
Study of Donatello's "Saint John," Frari, Venice, 1856 - 1925
John Singer Sargent
"Rape of the Sabines," after Giambologna, Loggia dei Lanzi, Florence, 1856 - 1925
John Singer Sargent
Ceiling at Denderah; verso: Two Colossi in the Desert, 1856 - 1925
John Singer Sargent
Recumbent Male Nude, for "Israelites Oppressed," Boston Public Library, 1856 - 1925
John Singer Sargent