Saint George and the Dragon, after Carpaccio, 1871-1926
George Hawley Hallowell
Rose, 1840 - 1930
Charles Herbert Moore
Oak Leaf, 1870 - 1960
Martin Mower
Landscape with Buildings, 1840 - 1930
Charles Herbert Moore
Illuminated Letter O, after Medieval Psalter, 1840 - 1930
Charles Herbert Moore
Capital, Triforium of Choir, Notre Dame, Paris, 1840 - 1930
Charles Herbert Moore
Fac-simile of Ornamental Letters, from a French MS of the Thirteenth Century, in the British Museum, 1840 - 1930
Charles Herbert Moore
Reduced Study of a Distant Effect of a Portion of the "Procession and Miraculous Cure in the Piazza di San Marco," by Gentile Bellini, in the Academy, Venice, 1876-1877, 1840 - 1930
Charles Herbert Moore
Walnut Branch, 1840 - 1930
Charles Herbert Moore
Unfinished Study of Lioness and Cubs, from the North-West Door of the Duomo of Florence, 1840 - 1930
Charles Herbert Moore
Buttercups, 1839 - 1922
John Henry Hill
Sailboat, 1840 - 1930
Charles Herbert Moore
Hellebore, 1839 - 1922
John Henry Hill
Fac-simile of the Central Portion of the Picture Called "The Calumny of Apelles," by Sandro Botticelli, in the Uffizi Gallery at Florence, 1840 - 1930
Charles Herbert Moore
Study of Furniture: Chair and Bureau, 1840 - 1930
Charles Herbert Moore
Heraldic Device with Shield and Eagle, 1840 - 1930
Charles Herbert Moore
St. Barbara, after Palma Vecchio, 1871-1926
George Hawley Hallowell
Adoration of the Magi, after Ghirlandaio, 1871-1926
George Hawley Hallowell
Lark's Nest, 1839 - 1922
John Henry Hill
Much Reduced Study of Distant Effect of Veronese's Picture of "The Family of Darium at the Feet of Alexander," in the National Gallery, 1840 - 1930
Charles Herbert Moore