Left Foot in Profile; verso: Head of a Statue, 1779 - 1843
Washington Allston
Half-Length Portrait of a Woman; verso: Hand and Drapery Studies for "Rosalie", 1779 - 1843
Washington Allston
Two Sketches of a Kneeling Man, for "The Angel Releasing Saint Peter...", 1779 - 1843
Washington Allston
Mill on a Rocky Hill with Waterfall and Pool, 1779 - 1843
Washington Allston
Plaster Right Hand with Thumb and Forefinger Showing, 1779 - 1843
Washington Allston
Two Capitals in Perspective; verso: Abacus in Perspective, 1779 - 1843
Washington Allston
Tree Beside a Path, 1779 - 1843
Washington Allston
Head and Shoulders of Jeremiah, for "Jeremiah Dictating...", 1779 - 1843
Washington Allston
Three Eyes; Man's Head and Shoulders, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Tree, for "Titania's Court;" verso: Two Sailboats in a Stormy Sea, 1779 - 1843
Washington Allston
Two Figures on a Beach and Four Flying Figures, for "Fairies...", 1779 - 1843
Washington Allston
Two Studies of Spalatro's Right Hand and Arm, for "Spalatro's Vision...", 1779 - 1843
Washington Allston
Portrait of a Man's Head in Profile, 1779 - 1843
Washington Allston
Samuel Taylor Coleridge (1772 - 1834), 1779 - 1843
Washington Allston
Two Studies for the Robes of a Soothsayer, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Jeremiah's Arm, for "Jeremiah Dictating..."; verso: Partial Study of Two Legs, 1779 - 1843
Washington Allston
Spalatro's Left Leg, for "Spalatro's Vision of the Bloody Hand", 1779 - 1843
Washington Allston
Profile of a Woman's Head; Head of a Woman with Braids; Half-Length Man, 1779 - 1843
Washington Allston
Four Male Heads, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Soothsayer, for "Belshazzar's Feast", 1779 - 1843
Washington Allston