Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Fern, Blackberry and Smartweed; verso: Ceiling, for "Belshazzar's Feast"

Fern, Blackberry and Smartweed; verso: Ceiling, for "Belshazzar's Feast", 1779 - 1843

Washington Allston

Untitled (acrobats and bleed-through, two-page spread)

Untitled (acrobats and bleed-through, two-page spread), 1928 - 2014

Otto Piene

Untitled (blank, left page); Untitled (view of Port of Spain, right page)

Untitled (blank, left page); Untitled (view of Port of Spain, right page), 1928 - 2014

Otto Piene

Untitled (hibiscus flower, left page); Untitled (hibiscus flower, right page)

Untitled (hibiscus flower, left page); Untitled (hibiscus flower, right page), 1928 - 2014

Otto Piene

Untitled (pressed flower, left page); Untitled (pressed flower, right page)

Untitled (pressed flower, left page); Untitled (pressed flower, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through, left page); Untitled (color transfer, right page)

Untitled (bleed-through, left page); Untitled (color transfer, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through, left page); Untitled (color transfer, right page)

Untitled (bleed-through, left page); Untitled (color transfer, right page), 1928 - 2014

Otto Piene

Iconographic Drawing of Buddhist Figures selected by Monk Kakuzen in 1201 at the age of 59 (Kakuzen-shō zuzō)

Iconographic Drawing of Buddhist Figures selected by Monk Kakuzen in 1201 at the age of 59 (Kakuzen-shō zuzō), 1260 - ?

Monk Jippen

Idealized portrait of Hafiz (drawing, recto); Stylized Tree Design, probably for a book binding (painting, verso), folio from an album

Idealized portrait of Hafiz (drawing, recto); Stylized Tree Design, probably for a book binding (painting, verso), folio from an album

Attributed to Mir Yusuf

Tête de cire du musée de Lille

Tête de cire du musée de Lille, 1834 - 1887

Ferdinand Gaillard

Sheet 110: From an architectural drawing (elevation in the court yard facing east and the elevation on Eighth Street

Sheet 110: From an architectural drawing (elevation in the court yard facing east and the elevation on Eighth Street, active 1850s - 1870s

John Wood

Sheet 101: Northeast view of the General Post Office, from a perspective drawing by Thomas Ustick Walter

Sheet 101: Northeast view of the General Post Office, from a perspective drawing by Thomas Ustick Walter, active 1850s - 1870s

John Wood

Untitled (page of photocopied letter, left page); Untitled (drawing of rooster over photograph, right page)

Untitled (page of photocopied letter, left page); Untitled (drawing of rooster over photograph, right page), 1928 - 2014

Otto Piene

Untitled (blank with adhered photocopy and drawing, left page); Untitled (starburst with adhered notecard, right page)

Untitled (blank with adhered photocopy and drawing, left page); Untitled (starburst with adhered notecard, right page), 1928 - 2014

Otto Piene

"Draw nigh, M. Gérenflot...come to receive the crown of distinction for your good work against poverty..."

"Draw nigh, M. Gérenflot...come to receive the crown of distinction for your good work against poverty...", 1808-1879

Honoré-Victorin Daumier

Three horses stand beside a wooded area, a farm cart and a body of water in this gouache drawing.

A Market Cart with Horses by a Stream, 1727 - 1788

Thomas Gainsborough

Painting of man on horse approaching man crouching on ground

A Turk Surrenders to a Greek Horseman, 1798 - 1863

Ferdinand-Victor-Eugène Delacroix

Kota Ruler Watches an Elephant Combat

Kota Ruler Watches an Elephant Combat

Indian

Sketchbook ("1870-71"): Alpine Travel Sketches

Sketchbook ("1870-71"): Alpine Travel Sketches, 1856 - 1925

John Singer Sargent

Duck in Foliage

Duck in Foliage

Ottoman

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