Curator

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Book XXIII.44-45. Battle of Nola {Tertiae Decadis Liber Tertius p. CXX}; Same woodcut used for Book XXV.20. Romans trick people of Tower of Galeaga to receive Damippus {Tertiae Decadis Liber Quintus p. CXXXIV verso}

Book XXIII.44-45. Battle of Nola {Tertiae Decadis Liber Tertius p. CXX}; Same woodcut used for Book XXV.20. Romans trick people of Tower of Galeaga to receive Damippus {Tertiae Decadis Liber Quintus p. CXXXIV verso}

Anonymous Germany

A black and white print portrays a clothed man helping a naked man in a landscape.

The Good Samaritan Pouring Oil on the Wounds of the Traveler, c. 1580/5 - 1627/8

Werner van den Valckert

Oil painting of women sitting in a room, encircling a woman and child with a dark tapestry behind them.

The Mystic Marriage of Saint Catherine of Alexandria with Three Female Saints: Ursula, Margaret of Antioch, and an Unidentified Martyr, c.1480/90 - 1551

Adriaen Isenbrant

A seated woman in three quarter profile

A Young Woman Reclining in a Chair, 1834 - 1917

Hilaire-Germain-Edgar Degas

Portrait of a seated man in eighteenth century dress.

Nicholas Boylston (1716-1771), 1738 - 1815

John Singleton Copley

A black and white print portrays a man seated at a table.

Aegidius (Gilles) de Noailles, French Ambassador in Constantinople, active 1573-1606

Nicolaus Andrea

Four Chinese male figures in robes stand in golden clouds, moving towards the right, one riding a dragon.

Seven Chinese Immortals (right screen), 1752 - 1811

Goshun 呉春 (Matsumura Gekkei 松村月渓)

Bahram Gur Fights the Horned Wolf (painting, verso; text, recto), illustrated folio from a manuscript of the Great Ilkhanid Shahnama (Book of Kings)

Bahram Gur Fights the Horned Wolf (painting, verso; text, recto), illustrated folio from a manuscript of the Great Ilkhanid Shahnama (Book of Kings)

Persian

Rustam's Brother and Son Kill Isfandiyar's Sons (painting, verso; text, recto), illustrated folio from a manuscript of the Great Ilkhanid Shahnama (Book of Kings)

Rustam's Brother and Son Kill Isfandiyar's Sons (painting, verso; text, recto), illustrated folio from a manuscript of the Great Ilkhanid Shahnama (Book of Kings)

Persian

Large Covered Ovoid Jar with Four Ogival Panels Featuring One Landscape, Two Scenes of Flowers and Rocks, and One Scene of Books and Collected Antiquities

Large Covered Ovoid Jar with Four Ogival Panels Featuring One Landscape, Two Scenes of Flowers and Rocks, and One Scene of Books and Collected Antiquities

Chinese

Large Covered Ovoid Jar with Four Ogival Panels Featuring One Landscape, Two Scenes of Flowers and Rocks, and One Scene of Books and Collected Antiquities

Large Covered Ovoid Jar with Four Ogival Panels Featuring One Landscape, Two Scenes of Flowers and Rocks, and One Scene of Books and Collected Antiquities

Chinese

Foliate Moresque with a Circular Void in Its Center

Foliate Moresque with a Circular Void in Its Center, 1672 - 1730

Étienne-Joseph Daudet

Three Foliate Scrolling Friezes, the Upper One Centered by a Female Mask, a Lion to Its Right

Three Foliate Scrolling Friezes, the Upper One Centered by a Female Mask, a Lion to Its Right, 1623 - 1710

Paul Androuet Du Cerceau

Solak

Solak

Louis Daret

Iskandar's Iron Cavalry Battles King Fur of Hind (text, recto; painting, verso), illustrated folio from the Great Ilkhanid Shahnama (Book of Kings)

Iskandar's Iron Cavalry Battles King Fur of Hind (text, recto; painting, verso), illustrated folio from the Great Ilkhanid Shahnama (Book of Kings)

Persian

The Courtesans Azumaya and Kokonoe of the Matsukane House, from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The Courtesans Azumaya and Kokonoe of the Matsukane House, from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Hitomoto and Tagasode of the Daimonji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Hitomoto and Tagasode of the Daimonji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

Afterword by Akerakan Shujin (Akera Kankō) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

Afterword by Akerakan Shujin (Akera Kankō) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Hinazuru and Chōzan of the Chōji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Hinazuru and Chōzan of the Chōji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

The courtesans Hanaōgi and Takigawa of the Ogi House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

The courtesans Hanaōgi and Takigawa of the Ogi House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

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