Two Women and a Man, for "Christ Healing the Sick", 1779 - 1843
Washington Allston
Left Arm Study, 1779 - 1843
Washington Allston
Two Studies for a Skirt, for "Family Group", 1779 - 1843
Washington Allston
Standing Female Nude with Block, 1779 - 1843
Washington Allston
Two Angels; Group of Three Angels' Heads, for "Jacob's Dream", 1779 - 1843
Washington Allston
Plaster Right Hand; verso: Male Torso, for "Dead Man Revived...", 1779 - 1843
Washington Allston
Belshazzar, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Details of Capital and Lintel, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Bent Right Leg, for "Dead Man Revived...", 1779 - 1843
Washington Allston
Two Eyes, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
The Prodigal Son, 1779 - 1843
Washington Allston
Landscape with Tree on a Hilltop, 1779 - 1843
Washington Allston
Spalatro's Left Hand, for "Spalatro's Vision of the Bloody Hand", 1779 - 1843
Washington Allston
Partial Drapery Study, 1779 - 1843
Washington Allston
Head and Shoulders of a Girl in Profile, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Male Head, for "Lorenzo and Jessica", 1779 - 1843
Washington Allston
Silenus and Fauns, 1779 - 1843
Washington Allston
Two Sketches of a Kneeling Man, for "The Angel Releasing Saint Peter...", 1779 - 1843
Washington Allston
Silenus and Fauns, for "Silenus and the Fauns;" Two Angels; Five Figures Dancing; verso: Engraving of ecorché figure from an anatomy textbook, 1779 - 1843
Washington Allston
Schedoni's Right Hand, for "Spalatro's Vision of the Bloody Hand", 1779 - 1843
Washington Allston