Nude Male Seated on a Rock, Holding a Staff (Polyphemus), 1779 - 1843
Washington Allston
Design for the Monument of William Ellery Channing, Mount Auburn Cemetery, 1779 - 1843
Washington Allston
Scene from "Henry VIII;" verso: Scene from "The Tempest", 1779 - 1843
Washington Allston
Figures around a Table, for "Falstaff Enlisting..."; Group of Frightened Figures, 1779 - 1843
Washington Allston
Wooded Landscape with Stream; Partial Landscape with Tree and Tower, 1779 - 1843
Washington Allston
Winged Figure and Two Birds; verso: Six Helmet Studies, 1779 - 1843
Washington Allston
Head of a Young Man Gazing Upward; Pair of Eyes, 1779 - 1843
Washington Allston
Spalatro's Head, for "Spalatro's Vision...", 1779 - 1843
Washington Allston
Foot, study for "Dead Man Revived..."; verso: Foot, 1779 - 1843
Washington Allston
Features of a Woman Gazing Upward, Study for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Horse-Drawn Carriage Attacked by a Man on Foot, from an ornamental fireplace, 1779 - 1843
Washington Allston
Landscape with Trees and Mountain, 1779 - 1843
Washington Allston
Studies of Two Male Nudes, 1779 - 1843
Washington Allston
Male Head, study for "Spalatro's Vision of the Bloody Hand", 1779 - 1843
Washington Allston
Interior with Columns, Archway and Steps, for "Dido and Anna", 1779 - 1843
Washington Allston
Five Hand Studies, for "Dead Man Revived..."; verso: Striding Male Figure, 1779 - 1843
Washington Allston
Jeremiah's Left Arm and Drapery, for "Jeremiah Dictating...", 1779 - 1843
Washington Allston
Lower Half of Belshazzar's Robe, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Two Studies of Hanging Curls, 1779 - 1843
Washington Allston
Half-Length Study of a Woman Facing Right, 1779 - 1843
Washington Allston