Male Nude Seen from Behind, 1856 - 1925
John Singer Sargent
Study of a Male Nude for Rotunda Relief, Museum of Fine Arts, Boston, 1856 - 1925
John Singer Sargent
Head of a Young Woman, 1856 - 1925
John Singer Sargent
Study of a Decorative Cartouche, 1856 - 1925
John Singer Sargent
Ornate Balustrade, Salute, Venice, 1856 - 1925
John Singer Sargent
Study of Relief of Saint John, 1856 - 1925
John Singer Sargent
Saint Teresa of Avila, 1856 - 1925
John Singer Sargent
Study of a Hand, 1856 - 1925
John Singer Sargent
Pilaster Capitals and Entablature, University of Genoa, 1856 - 1925
John Singer Sargent
Profile of a Male Head with Sharp Shadow Contrasts, 1856 - 1925
John Singer Sargent
Scene on a Ship Deck, 1856 - 1925
John Singer Sargent
Study of a Hand Securing a Rope, 1856 - 1925
John Singer Sargent
Two Sketches of a Swan, 1856 - 1925
John Singer Sargent
Four Sketches of Swans, 1856 - 1925
John Singer Sargent
Two Sketches of a Swan, 1856 - 1925
John Singer Sargent
Study of a Wolf's head; verso: Partial Studies of Oxen, 1856 - 1925
John Singer Sargent
Two Sketches of a Crucifix; verso: Ornament Study, 1856 - 1925
John Singer Sargent
Two Sketches of a Crucifix, 1856 - 1925
John Singer Sargent
Two Seated Arabs, Palestine, 1856 - 1925
John Singer Sargent
Sketch of "The Dance" after Carpeaux(?); verso: Bearded Man (Self-Portrait?), 1856 - 1925
John Singer Sargent