Sketch after Michelangelo's "Pietà," Florence, 1856 - 1925
John Singer Sargent
Study for a Portrait of a Woman, 1856 - 1925
John Singer Sargent
Two Male Figure Studies, 1856 - 1925
John Singer Sargent
Partial View of a Standing Male Nude, 1856 - 1925
John Singer Sargent
Hand Clasping a Knotted Rope, for Frieze of Angels, Boston Public Library, 1856 - 1925
John Singer Sargent
Study of a Wolf's Head; verso: Partial Study of an Ox, 1856 - 1925
John Singer Sargent
Study for "Scots Grey" (recto and verso), 1856 - 1925
John Singer Sargent
Standing Male Nude with Arms Akimbo, 1856 - 1925
John Singer Sargent
Two Men in Biblical Costume, possibly for "David Mourning Saul and Jonathan", 1856 - 1925
John Singer Sargent
Study for "David in the Wilderness", 1856 - 1925
John Singer Sargent
Study of a Sleeping Figure for "David in Saul's Camp", 1856 - 1925
John Singer Sargent
Reclining Male Nude, 1856 - 1925
John Singer Sargent
Torso of a Male Nude with Arm Raised, 1856 - 1925
John Singer Sargent
Male Nude Reclining; verso: Study of a Male Nude, 1856 - 1925
John Singer Sargent
Reclining Male Nude (Nicola D'Inverno?), 1856 - 1925
John Singer Sargent
Study of Two Opera Singers; verso: Sketch, 1856 - 1925
John Singer Sargent
Head of Cellini's "Perseus," Loggia dei Lanzi, Florence, 1856 - 1925
John Singer Sargent
Orpheus, Eurydice, and Hermes, after the "Orpheus Relief", 1856 - 1925
John Singer Sargent
Litany of the Virgin Mary, 1856 - 1925
John Singer Sargent
Studies of Sleeping Figures for "David in Saul's Camp", 1856 - 1925
John Singer Sargent