Head of a Bull, after an Achaemenid Capital in the Louvre, 1856 - 1925
John Singer Sargent
Three-Quarter View of a Statue of a Seated Bishop, San Zenone, Verona, 1856 - 1925
John Singer Sargent
Sketch of a Male Torso; verso: Two Studies of Sandaled Foot, 1856 - 1925
John Singer Sargent
Study of Turkeys, 1856 - 1925
John Singer Sargent
Sketch of Grape Leaves, 1856 - 1925
John Singer Sargent
Study for "Man and Woman on a Bed", 1856 - 1925
John Singer Sargent
Study of Donatello's "Saint John," Frari, Venice, 1856 - 1925
John Singer Sargent
"Rape of the Sabines," after Giambologna, Loggia dei Lanzi, Florence, 1856 - 1925
John Singer Sargent
Ceiling at Denderah; verso: Two Colossi in the Desert, 1856 - 1925
John Singer Sargent
Recumbent Male Nude, for "Israelites Oppressed," Boston Public Library, 1856 - 1925
John Singer Sargent
Three Sketches of a Dog, 1856 - 1925
John Singer Sargent
Inscriptions from Revelations and Corinthians, 1856 - 1925
John Singer Sargent
Sketch for Sir Frederick Maude (1864 - 1917); verso: Base of a Column, for "Some Officers of the Great War", 1856 - 1925
John Singer Sargent
Last Judgment Apse Fresco from the Old Cathedral of Salamanca, Spain, 1856 - 1925
John Singer Sargent
Crucifix and Church Dome with Inscription, 1856 - 1925
John Singer Sargent
Gates of the Chapel of Santa Teresa, León Cathedral, Spain, 1856 - 1925
John Singer Sargent
Window with Coat of Arms, Palma, Mallorca (Majorca), 1856 - 1925
John Singer Sargent
Facade with Projecting Balcony, Casa de la Almoina, Palma, Mallorca (Majorca), 1856 - 1925
John Singer Sargent
Profile of an Egyptian Pharaoh, 1856 - 1925
John Singer Sargent
Sketch of a Scarab, 1856 - 1925
John Singer Sargent