Deathbed Scene: Seven Figures Placed Around a Dead Woman (recto and verso), 1779 - 1843
Washington Allston
Landscape with Trees; verso: Woman Seated at the Base of a Tree, for "Una", 1779 - 1843
Washington Allston
Trial Strokes, 1779 - 1843
Washington Allston
Standing Full-Length Female Nude, 1779 - 1843
Washington Allston
Wooded Landscape; verso: Two Trees, 1779 - 1843
Washington Allston
Trial Strokes, 1779 - 1843
Washington Allston
Female Nude Leaning on a Block, 1779 - 1843
Washington Allston
Four Landscape Compositions, 1779 - 1843
Washington Allston
Two Sketches of a Ship at Sea, for "Ship in a Squall", 1779 - 1843
Washington Allston
Bearded Man with a Stick, for "Jason Returning to Demand his Father's Kingdom", 1779 - 1843
Washington Allston
Head of a Woman, study for "Saul and the Witch of Endor", 1779 - 1843
Washington Allston
Barking Dog in Profile, study for "Falstaff Enlisting his Ragged Regiment...", 1779 - 1843
Washington Allston
Half-Length Woman with Children, for "Mother and Child;" verso: Reclining Figure, 1779 - 1843
Washington Allston
Spalatro's Head, for "Spalatro's Vision of the Bloody Hand", 1779 - 1843
Washington Allston
Drapery study, for "Lorenzo and Jessica", 1779 - 1843
Washington Allston
Seated Woman Holding a Baby, with Two Figures Standing Behind, 1779 - 1843
Washington Allston
Landscape with Fortified City and River with Bridge, 1779 - 1843
Washington Allston
Study of a Right Leg; verso: Shoulders, Arm and Hand for "Dead Man Revived", 1779 - 1843
Washington Allston
Four Male Figures for "The Angel Releasing Saint Peter;" verso: Rocks and Tree, 1779 - 1843
Washington Allston
Female Head, for "Mother Watching her Sleeping Child", 1779 - 1843
Washington Allston