Spalatro's Left Hand, for "Spalatro's Vision of the Bloody Hand", 1779 - 1843
Washington Allston
Partial Drapery Study, 1779 - 1843
Washington Allston
Head and Shoulders of a Girl in Profile, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Male Head, for "Lorenzo and Jessica", 1779 - 1843
Washington Allston
Silenus and Fauns, 1779 - 1843
Washington Allston
Two Sketches of a Kneeling Man, for "The Angel Releasing Saint Peter...", 1779 - 1843
Washington Allston
Silenus and Fauns, for "Silenus and the Fauns;" Two Angels; Five Figures Dancing; verso: Engraving of ecorché figure from an anatomy textbook, 1779 - 1843
Washington Allston
Schedoni's Right Hand, for "Spalatro's Vision of the Bloody Hand", 1779 - 1843
Washington Allston
Head of a Girl, for "Una", 1779 - 1843
Washington Allston
Silenus and Fauns, 1779 - 1843
Washington Allston
Hand of Baruch for "Jeremiah Dictating...;" verso: Knee and Calf, 1779 - 1843
Washington Allston
Left Ear, for "Beatrice", 1779 - 1843
Washington Allston
Silenus and Fauns, 1779 - 1843
Attributed to Washington Allston
Lower Half of Daniel's Robe, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Seated Woman, Resting Face on Hand; verso: Standing Male, for "Polyphemus", 1779 - 1843
Washington Allston
Three Standing Figures, for "The Death of King John;" verso: Reclining Man, 1779 - 1843
Washington Allston
Head of a Woman, for "Belshazzar's Feast", 1779 - 1843
Washington Allston
Titania's Left Arm, for "Titania's Court"; verso: Left Arm, 1779 - 1843
Washington Allston
Female Head, for "Miriam the Prophetess", 1779 - 1843