Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
An abstract print featuring intersecting black lines and a bright red shape with two overlapping smaller black forms.

Sunbeam, born 1973

Noriko Saitō

Life 1

Life 1, born 1973

Noriko Saitō

Life 2

Life 2, born 1973

Noriko Saitō

Melting - Droop

Melting - Droop, born 1993

Nishimura Ryō

Melting - Hang

Melting - Hang, born 1993

Nishimura Ryō

Melting - Mixt

Melting - Mixt, born 1993

Nishimura Ryō

Linear Composition L5-E.P.K.

Linear Composition L5-E.P.K., b. 1958

Yoshida Ayomi 吉田亜世美

Surface K.I. – 2

Surface K.I. – 2, b. 1958

Yoshida Ayomi 吉田亜世美

Surface K.O. - A

Surface K.O. - A, b. 1958

Yoshida Ayomi 吉田亜世美

Surface K.Y. - P.C.C.

Surface K.Y. - P.C.C., b. 1958

Yoshida Ayomi 吉田亜世美

White Marks C.R.A.

White Marks C.R.A., b. 1958

Yoshida Ayomi 吉田亜世美

Midnight Rain

Midnight Rain, b. 1958

Yoshida Ayomi 吉田亜世美

Untitled (Bernarda Bryson among Artists' Union demonstrators, Division IX, May Day Parade, Communist Party route, Fifth Avenue and East Twenty-sixth Street, New York City)

Untitled (Bernarda Bryson among Artists' Union demonstrators, Division IX, May Day Parade, Communist Party route, Fifth Avenue and East Twenty-sixth Street, New York City), 1898 - 1969

Ben Shahn

The Holroyd House on Park Street: from the Holroyd Album

The Holroyd House on Park Street: from the Holroyd Album

Indian

"Do you see any civilization where we could get a two-egg omlette?"

"Do you see any civilization where we could get a two-egg omlette?", 1808-1879

Honoré-Victorin Daumier

Study of a standing nude woman and one partial study on light brown toned canvas

Study for "Roger Freeing Angelica", 1780 - 1867

Jean-Auguste-Dominique Ingres

Prison Cell with Skylight

Prison Cell with Skylight, born 1953

James Casebere

Rendez-vous de Bellevue

Rendez-vous de Bellevue, born 1953

James Casebere

Storefront

Storefront, born 1953

James Casebere

Portuguese Beachfront (long shot)

Portuguese Beachfront (long shot), born 1953

James Casebere

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