Two Sketches of a Ship at Sea, for "Ship in a Squall", 1779 - 1843
Washington Allston
Bearded Man with a Stick, for "Jason Returning to Demand his Father's Kingdom", 1779 - 1843
Washington Allston
Head of a Woman, study for "Saul and the Witch of Endor", 1779 - 1843
Washington Allston
Barking Dog in Profile, study for "Falstaff Enlisting his Ragged Regiment...", 1779 - 1843
Washington Allston
Half-Length Woman with Children, for "Mother and Child;" verso: Reclining Figure, 1779 - 1843
Washington Allston
Spalatro's Head, for "Spalatro's Vision of the Bloody Hand", 1779 - 1843
Washington Allston
Drapery study, for "Lorenzo and Jessica", 1779 - 1843
Washington Allston
Seated Woman Holding a Baby, with Two Figures Standing Behind, 1779 - 1843
Washington Allston
Landscape with Fortified City and River with Bridge, 1779 - 1843
Washington Allston
Study of a Right Leg; verso: Shoulders, Arm and Hand for "Dead Man Revived", 1779 - 1843
Washington Allston
Four Male Figures for "The Angel Releasing Saint Peter;" verso: Rocks and Tree, 1779 - 1843
Washington Allston
Female Head, for "Mother Watching her Sleeping Child", 1779 - 1843
Washington Allston
Hand and right arm bent at the elbow, study for "Beatrice", 1779 - 1843
Washington Allston
Man with Raised Arm; Man with Leg Bent, for "Angel of Wrath", 1779 - 1843
Washington Allston
Right Hand and Forearm, study for "The Angel of Wrath", 1779 - 1843
Washington Allston
Sketches of Napoleon, President Willard, and Mrs. Timothy Waterhouse, 1779 - 1843
Washington Allston
Two Comic Figures, for "Falstaff Enlisting His Ragged Regiment...", 1779 - 1843
Washington Allston
Side View of the Head and Shoulders of a Woman Wearing a Tall Comb, 1779 - 1843
Washington Allston
Nude Youth Seated on a Block, for "Italian Shepherd Boy;" verso: Male Nude, 1779 - 1843
Washington Allston
Hero: Male Figure in Costume, illustration for the poem "Modern Sublimity", 1779 - 1843
Washington Allston