Afterword by Akerakan Shujin (Akera Kankō) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816
Kitao Masanobu 北尾政演
The courtesans Hitomoto and Tagasode of the Daimonji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816
Kitao Masanobu 北尾政演
Afterword by Akerakan Shujin (Akera Kankō) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816
Kitao Masanobu 北尾政演
The courtesans Hinazuru and Chōzan of the Chōji House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816
Kitao Masanobu 北尾政演
The courtesans Hanaōgi and Takigawa of the Ogi House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816
Kitao Masanobu 北尾政演
The courtesans Segawa and Matsundo of the Matsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816
Kitao Masanobu 北尾政演
The courtesans Utagawa and Nanasato of the Yotsume House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816
Kitao Masanobu 北尾政演
The Courtesans Azumaya and Kokonoe of the Matsukane House, from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816
Kitao Masanobu 北尾政演
Verdant Cliffs at Ku-tam [Tortoise Lake], Tan-yang, probably originally from an album of eight leaves depicting "Eight Views of Tan-yang" [Tan-yang p'al-kyŏng], 1676 - 1759
Traditionally attributed to Chŏng Sŏn (also known as Wŏn-paek ['cha']; Kyŏm-chae ['ho'])
Madhumadhavi Ragini (painting, recto; text, verso), from a Ragamala (Garland of Melodies) Series
Indian
Illustrated Liturgical Manuscript in Pali Language Written in Khom Script
Thai
Two Scholars Seated in a Landscape, Engaged in Conversation, and Admiring a Waterfall While an Attendant Prepares Tea, 1707 - 1769
Shim Sa-chŏng (also known as Yi-suk ['cha']; Hyŏn-chae ['ho'])
Soldier Charging His Musket, 1565 - 1629
Jacques de Gheyn II
A Sketch of the Holroyd House: from a Different View (recto); "No. 5 Park Street" (verso), from the Holroyd Album
Indian
Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816
Kitao Masanobu 北尾政演
Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816
Kitao Masanobu 北尾政演
Travelling in the Mountains of Shu (Szechwan), 1692 - 1751
Fang Shishu 方士庶
Autumn Landscape, 1577 - c. 1652
Zhang Hong 張宏
Boating on a Moonlit Night, 1692 - 1751
Fang Shishu 方士庶
Autumn Sunset Along the River, 1692 - 1751
Fang Shishu 方士庶