Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Painting, recto; Text , verso of  folio 14, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, recto; Text , verso of folio 14, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

Painting, verso; Text, recto of  folio 9, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, verso; Text, recto of folio 9, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

Painting, recto; Text, verso of folio 15, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, recto; Text, verso of folio 15, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

Painting, verso; Text, recto of folio 39, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, verso; Text, recto of folio 39, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

Painting, recto; Painting, verso of folio 40, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, recto; Painting, verso of folio 40, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

Painting, recto; Text, verso of folio 16, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, recto; Text, verso of folio 16, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

M. Charles asked me: So what does she have? ... And so I said: It is nothing ... I said what you had., p. 20

M. Charles asked me: So what does she have? ... And so I said: It is nothing ... I said what you had., p. 20, 1804 - 1866

Paul Gavarni

As for me, at least I don't say that I don't like proof spirits., p. 67

As for me, at least I don't say that I don't like proof spirits., p. 67, 1804 - 1866

Paul Gavarni

My little house, my mother ate it. My brother Zidor gambled away my hair, my shawls, my rings ... and all. And my late father drank the rest., p. 93

My little house, my mother ate it. My brother Zidor gambled away my hair, my shawls, my rings ... and all. And my late father drank the rest., p. 93, 1804 - 1866

Paul Gavarni

My respects to you, Mme. Widow-of-everyone!, p. 91

My respects to you, Mme. Widow-of-everyone!, p. 91, 1804 - 1866

Paul Gavarni

Sigh! And I really liked lobster!, p. 87

Sigh! And I really liked lobster!, p. 87, 1804 - 1866

Paul Gavarni

Louison, what is yours is mine ... and I'm thirsty!

Louison, what is yours is mine ... and I'm thirsty!, 1804 - 1866

Paul Gavarni

Don't make a mistake, young man! The taffeta goes to my house. -And the velvet for Magdalen.

Don't make a mistake, young man! The taffeta goes to my house. -And the velvet for Magdalen., 1804 - 1866

Paul Gavarni

Hush! A stockholder who just touched his dividend!, p. 21

Hush! A stockholder who just touched his dividend!, p. 21, 1804 - 1866

Paul Gavarni

And so, my uncle, tell me ... these lovely little flowers, where do they come from and what do they become? -Manure, p. 14

And so, my uncle, tell me ... these lovely little flowers, where do they come from and what do they become? -Manure, p. 14, 1804 - 1866

Paul Gavarni

Wing

Wing, 1840 - 1916

Odilon Redon

Wells Cathedral, Steps to Chapter House

Wells Cathedral, Steps to Chapter House, 1853 - 1943

Frederick Evans

Whistler sitting on a couch in his Paris studio

Whistler sitting on a couch in his Paris studio, active 1890s-1900s

Dornac & Co.

Whistler sitting in a chair in his Paris studio

Whistler sitting in a chair in his Paris studio, active 1890s-1900s

Dornac & Co.

Head of a Woman (Study for "Roman Widow")

Head of a Woman (Study for "Roman Widow"), 1828 - 1882

Dante Gabriel Rossetti

<<<256257258259 >>>