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A work made of graphite on illustration board.

Prentice Laboratory, Madison, Wisconsin, Entrance Perspective, 1959

Franz Lipp

A work made of graphite on illustration board.

Prentice Laboratory, Madison, Wisconsin, Entrance Perspective, 1959

Franz Lipp

A work made of graphite on illustration board.

Prentice Laboratory, Madison, Wisconsin, Lawn Perspective, 1959

Franz Lipp

A work made of graphite and colored pencil with opaque watercolor on cream wove paper.

Joe Price Studio, Bartlesville, Oklahoma, Perspective, 1956

Bruce Goff

A work made of opaque and translucent watercolor, graphite, and sand on white illustration board.

Marks House, Chicago, Illinois, Interior Perspective, 1939

Bruce Goff

A work made of colored pencil and pastel with ink on tracing paper.

Ski Lodge, Crested Butte, Colorado, Perspective, 1965

Bruce Goff

A work made of graphite and ink on tracing paper mounted on heavy paper.

Colorado Springs Public Library, Colorado, Perspective, c. 1903

Peter Joseph Weber

A work made of graphite and ink on tracing paper mounted on heavy paper.

Seattle Public Library, Seattle, Washington, Perspective, 1903–1904

Peter Joseph Weber

Inland Steel Building, Chicago, Illinois, Perspective

Inland Steel Building, Chicago, Illinois, Perspective, c. 1956–1957

Skidmore, Owings & Merrill

Carrigan Townhouse, Chicago, Illinois, Interior Perspective

Carrigan Townhouse, Chicago, Illinois, Interior Perspective, 1984

Stuart Cohen

A work made of pen and black ink with graphite on drafting film.

Carrigan Townhouse, Chicago, Illinois, Interior Perspective, 1984

Stuart Cohen

Mixed Residential Development Perspective and Plan, Student Project, Institute of Design, Chicago, Illinois

Mixed Residential Development Perspective and Plan, Student Project, Institute of Design, Chicago, Illinois, 1948

Tetsuo Takayanagi

A work made of graphite and grease pencil on tracing paper.

Landscape Design for a Memorial, Perspective with Building, n.d.

Franz Lipp

A work made of color woodblock print; horizontal o-oban.

Act VI (Rokudanme), from the series "Perspective Pictures of the Storehouse of Loyal Retainers (Uki-e kanadehon Chushingura)", c. 1791/94

Kitao Masayoshi (Kuwagata Keisai)

A work made of oil pastel over graphite on heavy paper.

Chicago Travel Sketch, Congress Circle, Travel Sketch, 1996

DLK Architecture

A work made of hand-colored etching on paper.

The Prospect Before Us, 1791

Thomas Rowlandson

A work made of graphite, colored pencil, and watercolor on illustration board.

United Church, Park Forest, Illinois, Perspective Sketch and Elevation, 1950/52

Schweikher and Elting Architects

A work made of ink and casein on illustration board.

Place DuSable Project, Chicago, Illinois, Aerial Perspective Looking East, 1971

C. F. Murphy Associates

Engraving of a woman with a wide collar and an intricately braided hairstyle, curls framing her face.

Portrait Bust of a Woman with a Large Collar, from Perfect School to Learn How to Draw the Entire Human Body (English translation), n.d.

Luca Ciamberlano

A 3-D color design drawing with one house depicted in two perspectives, each level floating independently in black space to expose layout details.

Markow House, Prospect Heights, Illinois, Design Drawings, 1997–1998

Garofalo Architects

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