Results for oba - Page 40 from chicago

A work made of woodblock print in colored inks on cream wove paper.

Seaweed, Design 1901

John Henry Dearle

Sweetbriar, Design 1912

John Henry Dearle

Pimpernel, Design 1876

William Morris

Daisy, Design 1864

William Morris

Blackthorn, Design 1892

John Henry Dearle

A work made of woodblock print in pink inks on cream wove paper.

Marigold, Design 1875

William Morris

A work made of woodblock print in green and white inks on cream wove paper.

Marigold, Design 1875

William Morris

Wild Tulip, Design 1884

William Morris

A work made of gold wire, kingfisher feathers, amber, coral,
jadeite, ivory, glass, and silk.

Cap (清朝点翠头饰), Qing dynasty (1644–1912), 18th–19th century

Portrait Bust of Antinous as Osiris, 130-138, with 21st–century English restorations

Ancient Roman

A work made of papier-mâché, metal plates, wire, acrylic paint, and matte medium.

Rachel, 1986

Greer Lankton

Dude of Sorrows, 2015

Lisa Yuskavage

A work made of gilt silver and brass inlaid with turquoises,
corals, emeralds, green beryl, rubies, lapis
lazuli, hessonites, garnets, and sapphires.

Jeweled Chest Depicting Garuda and Face of Glory (kīrtimukha), Late 19th century

Bridal Necklace (Tilhari), Second half of the 19th century

A work made of gilt silver inlaid with turquoises, corals, pearls, lapis lazuli, and rubies.

Amulet Case (Gau) with Face of Glory (Kirtimukha), Mid–20th century

A work made of gold sheet over silver inlaid with turquoise.

Pair of Women’s Earplugs (Dhungri), Early 20th century

Ceremonial Collar Necklace (Suta or Konchi) Depicting Seated Buddhas, Early 20th century

A work made of gilt copper inlaid with turquoise and coral.

Portable Shrine (Gau) with Wish-Fulfilling Jewel, Late 18th century

Arch, or Halo, for a Sculpture (Prabhamandala), with Face of Glory (Kīrtimukha), 15th century

A work made of gold inlaid with turquoise, emeralds,
pearls, and rubies.

Seaweed, Design 1901

Sweetbriar, Design 1912

Pimpernel, Design 1876

Daisy, Design 1864

Blackthorn, Design 1892

Marigold, Design 1875

Marigold, Design 1875

Wild Tulip, Design 1884

Cap (清朝点翠头饰), Qing dynasty (1644–1912), 18th–19th century

Portrait Bust of Antinous as Osiris, 130-138, with 21st–century English restorations

Rachel, 1986

Dude of Sorrows, 2015

Jeweled Chest Depicting Garuda and Face of Glory (kīrtimukha), Late 19th century

Bridal Necklace (Tilhari), Second half of the 19th century

Amulet Case (Gau) with Face of Glory (Kirtimukha), Mid–20th century

Pair of Women’s Earplugs (Dhungri), Early 20th century

Ceremonial Collar Necklace (Suta or Konchi) Depicting Seated Buddhas, Early 20th century

Portable Shrine (Gau) with Wish-Fulfilling Jewel, Late 18th century

Arch, or Halo, for a Sculpture (Prabhamandala), with Face of Glory (Kīrtimukha), 15th century

Pendant with Face of Glory (kīrtimukha), Late 19th century

Seaweed, Design 1901

Sweetbriar, Design 1912

Pimpernel, Design 1876

Daisy, Design 1864

Blackthorn, Design 1892

Marigold, Design 1875

Marigold, Design 1875

Wild Tulip, Design 1884

Cap (清朝点翠头饰), Qing dynasty (1644–1912), 18th–19th century

Portrait Bust of Antinous as Osiris, 130-138, with 21st–century English restorations

Rachel, 1986

Dude of Sorrows, 2015

Jeweled Chest Depicting Garuda and Face of Glory (kīrtimukha), Late 19th century

Bridal Necklace (Tilhari), Second half of the 19th century

Amulet Case (Gau) with Face of Glory (Kirtimukha), Mid–20th century

Pair of Women’s Earplugs (Dhungri), Early 20th century

Ceremonial Collar Necklace (Suta or Konchi) Depicting Seated Buddhas, Early 20th century

Portable Shrine (Gau) with Wish-Fulfilling Jewel, Late 18th century

Arch, or Halo, for a Sculpture (Prabhamandala), with Face of Glory (Kīrtimukha), 15th century

Pendant with Face of Glory (kīrtimukha), Late 19th century

Seaweed, Design 1901

Sweetbriar, Design 1912

Pimpernel, Design 1876

Daisy, Design 1864

Blackthorn, Design 1892

Marigold, Design 1875

Marigold, Design 1875

Wild Tulip, Design 1884

Cap (清朝 点翠头饰), Qing dynasty (1644–1912), 18th–19th century

Portrait Bust of Antinous as Osiris, 130-138, with 21st–century English restorations

Rachel, 1986

Dude of Sorrows, 2015

Jeweled Chest Depicting Garuda and Face of Glory (kīrtimukha), Late 19th century

Bridal Necklace (Tilhari), Second half of the 19th century

Amulet Case (Gau) with Face of Glory (Kirtimukha), Mid–20th century

Pair of Women’s Earplugs (Dhungri), Early 20th century

Ceremonial Collar Necklace (Suta or Konchi) Depicting Seated Buddhas, Early 20th century

Portable Shrine (Gau) with Wish-Fulfilling Jewel, Late 18th century

Arch, or Halo, for a Sculpture (Prabhamandala), with Face of Glory (Kīrtimukha), 15th century

Pendant with Face of Glory (kīrtimukha), Late 19th century

Seaweed, Design 1901

Sweetbriar, Design 1912

Pimpernel, Design 1876

Daisy, Design 1864

Blackthorn, Design 1892

Marigold, Design 1875

Marigold, Design 1875

Wild Tulip, Design 1884

Cap (清朝 点翠头饰), Qing dynasty (1644–1912), 18th–19th century

Portrait Bust of Antinous as Osiris, 130-138, with 21st–century English restorations

Rachel, 1986

Dude of Sorrows, 2015

Jeweled Chest Depicting Garuda and Face of Glory (kīrtimukha), Late 19th century

Bridal Necklace (Tilhari), Second half of the 19th century

Amulet Case (Gau) with Face of Glory (Kirtimukha), Mid–20th century

Pair of Women’s Earplugs (Dhungri), Early 20th century

Ceremonial Collar Necklace (Suta or Konchi) Depicting Seated Buddhas, Early 20th century

Portable Shrine (Gau) with Wish-Fulfilling Jewel, Late 18th century

Arch, or Halo, for a Sculpture (Prabhamandala), with Face of Glory (Kīrtimukha), 15th century

Pendant with Face of Glory (kīrtimukha), Late 19th century

Cap (清朝点翠头饰), Qing dynasty (1644–1912), 18th–19th century

Cap (清朝点翠头饰), Qing dynasty (1644–1912), 18th–19th century