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A work made of color woodblock print; oban.

Mishima—No. 12, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of color woodblcok print; oban.

Miya: Shichiri Ferry Crossing, Gate to the Atsuta Shrine, and Nezame Village (Miya, Shichiri no watashi, Atsuta no torii, Nezame no sato)—No. 42, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of color woodblock print; oban.

Snow at a Guest House Overlooking a Pond, from an untitled series of views of the Mitsubishi villa in Fukagawa, 1920

Kawase Hasui

A work made of color woodblock print; oban.

Precints of the Akiba Shrine, Ukeji (Ukeji Akiba no keidai), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; chuban.

Woman Holding a Branch of Kerria Flowers in the Rain (parody of Ota Dokan), c. 1766/67

Suzuki Harunobu

A color woodblock print of pink, orange and yellow chrysanthemums. In the upper rihgt a tiny bee flies above the flowers. Signature and seals in the lower left corner.

Chrysanthemums and Bee, from an untitled series of Large Flowers, c. 1831–33

Katsushika Hokusai

A work made of color woodblock print; oban.

Misayama of the Chojiya, from the series Beauties of the Licensed Quarter (Kakuchu bijin kurabe), c. 1795

Chokosai Eisho

A work made of color woodblock print; oban.

No. 28: Nagakubo, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38

Utagawa Hiroshige

A work made of color woodblock print; oban.

Miyajima in Snow (Yuki no Miyajima), 1929

Kawase Hasui

A work made of color woodblock print; oban.

Takashima Ohisa, c. 1795

Kitagawa Utamaro

A work made of 1/2 length & open, in brocaded, plain compound twill, silk & gilt & silvered paper, 2 strips to mm., also gilt paper wound on silk core..

Obi (Belt), 1901/1925, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of silk, rayon, and silver-leaf-over-paper strips, gold- and silver-leaf-over-paper-wrapped rayon, and rayon, plain weave with gauze crossings and plain and weft-float faced 1:7 satin interlacings of secondary binding warps and supplementary patterning wefts.

Obi (Belt), 1901/25, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of silk and gold-leaf-over-lacquered-paper strip, plain weave with plain interlacings of secondary binding warp and supplementary patterning wefts; interlining: silk fiber over cotton, plain weave.

Obi (Belt), 1901/25, Meiji period (1868–1912)/ Taishô period (1912–1926)

Panel of fabric and paper, central circle formed by thin vertical strips; top half colored blue.

Americans Baking Bread (Amerikajin pan wo yaku zu), 1861

Utagawa Yoshikazu

A work made of color woodblock print; oban.

Togetsu Bridge at Arashiyama in Yamashiro Province (Yamashiro Arashiyama no Togetsukyo), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)", c. 1833/34

Katsushika Hokusai

A work made of color woodblock print; oban.

Yamauba with Kintaro Holding a Toy Mask, c. 1801/04

Kitagawa Utamaro

A work made of color woodblock print; oban.

A Low Class Prostitute (Gun [teppo]), from the series “Five Shades of Ink in the Northern Quarter" ("Hokkoku goshiki-zumi"), c. 1794/95

Kitagawa Utamaro

A color woodblock print of an actor, seen from chest up, in a cream, red, black and green garment, a dramatic facial expression and hand gesture

The actor Otani Oniji III as Edobei, 1794

Tōshūsai Sharaku

A work made of color woodblock print; oban.

Hanaogi of the Ogiya, from the series "Beauties of the Pleasure Quarters (Seiro bijin awase)", c. 1793/97

Eishosai Choki

A work made of color woodblock print; oban.

Ejiri—No. 19, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

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