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A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Headcloth (Iket Kepala), Late 19th century

A work made of linen, plain weave; appliquéd with silk, satin weave; painted; embroidered with silk, silk chenille, and wool in cross, overcast, satin, split, stem, and tent stitches.

Sampler, 1820s

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Shoulder Cloth (Selendang), Early 20th century

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Shoulder Cloth (Selendang), Late 19th century

A work made of wool (camelid), stripes of warp-faced plain weave and complimentary patterning warp; attached wool (camelid) tassels.

Coca or Ceremonial Cloth (Inkuña), 1900/1950

Quechua

A work made of linen, plain weave; embroidered with silk floss in cross stitch.

Sampler, 1793/94

A work made of silk and gold-leaf-paper strips, twill weave; resist dyed; lined with silk, plain weave (replacement).

Karaori (Nô Costume), late Edo period (1789–1868), late 18th/early 19th century

A work made of silk, satin weave underlaid with linen, plain weave; appliquéd with silk, satin weave; linen and silk, plain weave with supplementary pile warps forming cut solid velvet; and three-dimensional figures of silk, satin weave; linen, plain weave; and silk, plain weave; embroidered with silk, linen, gilt-metal-strip- and wire-wrapped silk in satin stitch; couching, padded couching, and french knots; painted; glass beads and semi-precious stones.

Orphrey Cross (Needlework), Late 15th century

A work made of wool (camelid), plain weave; embroidered in stem stitches; corners edged with weft-faced plain weave with extended ground weft fringe and embroidered in cross-knit loop stitches.

Mantle, 100 BCE-200 CE

Paracas

A work made of cotton, rayon, wool, linen, nylon, metal foil, metal foil laminated in cellulose acetate film, and metal foil laminated in cellulose film, plain weave with discontinuous wefts and supplementary brocading wefts; embroidered in double running, running, and stem stitches.

Angel with the Red, 1961

Martta Taipale

A work made of wool, silk, linen, rayon, and acetate, warp-dyed plain weave with areas of plain weave double cloth and double cloth of gauze and plain weave with discontinuous wefts.

Yellow Forests, 1968/69

Ruth Ginsberg- Place

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Laura Lange

A work made of cotton, plain weave, block printed.

Panel (Dress or Furnishing Fabric), 1922/1928

Laura Lange

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), 1920s

Ruth Hildegard Geyer-Raack

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), 1923/27

Laura Lange

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Deutsche Werkstätten GmbH.

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Richard Lisker

A work made of cotton, machine-made lace: twist net; machine embroidered laid work and couching.

Panel (Curtain Fabric), Mid–1920s

Tommi Parzinger

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Richard Lisker

A work made of wool, polyester and metalized polyester film, felted; cotton machine embroidery.

The Dancers, 1969

Šárka Šefranková Beneš

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