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A work made of watercolor, over graphite on ivory wove paper.

The Old Fence, n.d.

Thomas Faed

A work made of brush and brown wash, over graphite, on cream wove paper laid down on tan wove paper.

Boats in a Harbor, c. 1824

Richard Parkes Bonington

A work made of brown and black chalks on cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

A work made of brown and red chalks on buff wove paper, hinged to cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

A work made of black and white chalks, with traces of red chalk on brown wove paper, hinged to cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

A work made of graphite and gray wash on ivory wove paper.

Cley Church, Norfolk, 1818

John Sell Cotman

A work made of black chalk on buff wove paper, hinged onto cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

A work made of graphite on ivory wove paper.

Binfield Rectory and Church, Berkshire, 1816

John Constable

A work made of pen and gray ink and brush and gray wash, over graphite, on gray laid paper, laid down on ivory wove paper.

Amphion and Zethus Delivering their Mother Antiope from the Fury of Dirce and Lycus, 1789

John Flaxman

A work made of black chalk, heightened with white chalk, on green-gray wove paper, tipped onto cream wove paper.

Walking Through the Fields, July 25, 1868

John Linnell

A work made of brush and brown and black watercolor, with touches of scratching, on cream wove paper.

The Destroying Angel, 1833

John Martin

A work made of watercolor, with touches of opaque watercolor, over graphite, on off-white wove paper, edge mounted onto buff wove paper, ruled in the margins with pen and brown ink.

A French Market Scene, possibly Boulogne, 1829 or 1832

David Cox, the elder

A work made of brush and black and brown washes, with white gouache and scraping, ruled in graphite, on ivory paperboard.

A Woodland Study, c. 1856

Samuel Palmer

A work made of watercolor on white wove paper.

Trees in a Landscape, 1885

William Fraser Garden

A work made of graphite on ivory wove paper.

A Byzantine Well-head, 1852

Frederic Leighton, 1st Baron Leighton of Stretton

Wall designed by Dirk Ufermann, Head Technician, Bonner Kunstverein, Bonn. Constructed by Objekt Design Persighetti Ltd. for the exhibition Open Letter: The Family Drama Refunctioned? (From the Point of View of Production), 17 March - 20 May, 2017, David Zwirner, London after drawings by Pasztori Simons Architects, Berlin with Avery Dennison 500 Event Film Matt vinyl (color code: 707EM) installed by Imga Imaging Ltd. Kent, UK (3/6) 2017 Plywood, metal, wood, and adhesive vinyl 350 x 350 x 57 cm Wall constructed by Objekt Design Persighetti Ltd, Leichlingen, Germany Vinyl installed by Igma Imaging Ltd., Kent, UK, 2017

Wall designed by Dirk Ufermann, Head Technician, Bonner Kunstverein, Bonn. Constructed by Objekt Design Persighetti Ltd. for the exhibition Open Letter: The Family Drama Refunctioned? (From the Point of View of Production), 17 March - 20 May, 2017, David Zwirner, London after drawings by Pasztori Simons Architects, Berlin with Avery Dennison 500 Event Film Matt vinyl (color code: 707EM) installed by Imga Imaging Ltd. Kent, UK (3/6) 2017 Plywood, metal, wood, and adhesive vinyl 350 x 350 x 57 cm Wall constructed by Objekt Design Persighetti Ltd, Leichlingen, Germany Vinyl installed by Igma Imaging Ltd., Kent, UK, 2017, 2017

Christopher Williams

A work made of wood, mirror, and plexiglas.

Model for Pavilion/Sculpture for Argonne, 1978–81

Dan Graham

A work made of etching on ivory laid paper laid on board.

Rue Barbette, Paris, 1909

Hedley Fitton

A work made of etching on ivory wove paper.

Bargate, Southampton, 1904

Hedley Fitton

A work made of etching on ivory laid paper.

London Bridge, 1906

Hedley Fitton

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