Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.

Landscape with Two Poplars, 1912

Vasily Kandinsky

Painting of house amongst flowering trees painted with quick strokes of pastel colors.

House and Flowering Cherry Trees, Hamburg, 1907

Auguste Herbin

Painting of vibrantly colored shapes and lines intersecting and overlapping.

Painting with Green Center, 1913

Vasily Kandinsky

Vibrant colored painting of beachscape with figures, structure, and ox pulled cart.

Painting with Troika, January 18, 1911

Vasily Kandinsky

A work made of cast stone.

Bust of Kneeling Girl, 1911

Wilhelm Lehmbruck

A work made of veined alabaster.

Stags, 1914

Henri Gaudier-Brzeska

A work made of oil on canvas.

Max Herrmann-Neisse, 1913

Ludwig Meidner

A work made of oil on canvas.

Two Girls in a Garden, 1914

Karl Schmidt-Rottluff

A work made of oil and encaustic on canvas.

Kummeralp Mountain and Two Sheds, 1920

Ernst Ludwig Kirchner

A work made of oil on canvas.

Landscape, 1917

Heinrich Campendonk

A work made of oil on canvas.

Portrait of Natalia Goncharova and Mikhail Larionov, 1913

Aleksei Alekseevich Morgunov

Bright-yellow houses and a high bridge with arched supports tower over a colorful band of revelers including a tall figure in green pants and a pointed hat playing an extremely long horn instrument.

Carnival in Arcueil, 1911

Lyonel Feininger

A work made of oil on canvas.

Reclining Nude, 1929

Max Beckmann

A work made of oil on canvas.

Untitled, 1923

Max Herman Maxy

A work made of oil on canvas.

The Red House, 1911

Max Pechstein

A work made of oil on board.

Small Town by Day (Badische Kleinstadt bei Tage), 1922–23

Georg Scholz

A work made of oil on canvas.

Out My Window, 1930

Hanns Kralik

A work made of oil on plaster.

Stakim, c. 1928

Paul Klee

A work made of oil on canvas.

Composition in Blue, 1921/27

Fernand Léger

Abstract line composition of black lines at right angles forming quadrants including a gray square at upper left and a gray rectangle and red rectangle at lower right, against a white background.

Composition (No. 1) Gray-Red, 1935

Piet Mondrian

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