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A work made of two panels joined: wool, plain weave; fulled; appliqued with silk, plain weave ribbons; applied hide with beadwork and ribbon and hide streamers.

Elonshka Society Blanket, Late 19th–early 20th century

Osage

A work made of wool, twill weave; resist-dyed (shibori).

Untitled, #16323, 2009

Frank Connet

A work made of silk and rayon, stencil printed warps (hogushi kasuri) and weft resist-dyed (kasuri) plain weave; lined with rayon, plain weave; resist-dyed; stenciled (kata yûzen-some).

Haori, Taishô period (1912–26), c. 1920

Woman's Heirloom Dress

Woman's Heirloom Dress, Probably mid 19th century or earlier

Kabyle

A work made of silk, stencil-printed wefts (yokoso kasuri) plain weave; lined with silk, plain weave with creped wefts (chirimen).

Kimono, Taishô period (1912–1926)/Shôwa period (1926–1989), late 1920s/1930s

A work made of silk, stencil-printed warps and wefts (heiyo kasuri) plain weave; lined with silk, plain weave and cotton, plain weave.

Kimono, 1920s/1930s, Taishô period (1912–1926)/ Shôwa period (1926–1989)

A work made of silk, stencil-printed wefts (yokoso kasuri) plain weave, lined with possibly rayon, plain weave, painted.

Haori, 1920s/1930s, Taishô period (1912–1926)/ Shôwa period (1926–1989)

A work made of linen plain weave embroidered in silk floss, silk chenille and gilt-metal-strip-wrapped silk; glass beads; applied braid.

Orpheus Charming the Animals, first half 17th century

A work made of silk, stencil-printed warp and weft (heiyo kasuri) plain weave; lined with cotton, plain weave and silk, plain weave.

Kimono, 1920s/1930s, Taishô period (1912–1926)/Shôwa period (1926–1989)

A work made of wool, plain weave and dovetail tapestry weave; twined warp ends and selvages; looped and knotted corner tassels.

Sarape with Terraced Zigzag Design, 1865–85

Diné (Navajo)

A work made of wool, plain weave with "lazy lines" and dovetail tapestry weave; twined warp ends and selvages; looped and knotted corner tassels.

Sarape with Serrated Diamond Pattern, 1880–1900

Diné (Navajo)

A work made of wool, dovetail tapestry weave with "lazy lines"; twined warp ends and selvages; corner tassels.

Chief Blanket (Third Phase), c. 1880

Diné (Navajo)

A work made of wool, plain weave with "lazy lines" and dovetail tapestry weave; warp and weft twining; corner tasseles.

Chief Blanket (Third Phase), c. 1880

Diné (Navajo)

A work made of wool, single interlocking and slit tapestry weaves with "lazy lines"; twined warp ends and selvages.

Chief Blanket (Third Phase), c. 1880

Diné (Navajo)

A work made of linen, plain weave; embroidered with silk in cross, satin, stem, long and short, chain, upright gobelin, oblique gobelin, and feather stitches; laid work and couching; painted.

Sampler, 1822/23

Clarissa Emerson

A work made of cotton, plain weave; block printed resist and mordeant dyed.

Fragment of Mawa' or Ma'a (Sacred Heirloom Textile), late 14th or 15th century

A work made of cotton, satin damask weave self-patterned by warp and weft floats; woven on a loom with a drawloom attachment fabricated by the artist.

Study for Black and White Series, 2004

Ethel Stein

A work made of cotton, pre-dyed warp and weft satin weave with twill interlacings of secondary binding warps and patterning wefts; woven on a loom with a drawloom attachment fabricated by the artist.

The Three Graces, 1995

Ethel Stein

A work made of cotton, warp resist dyed (warp ikat) satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist.

Indigo 23, 1988

Ethel Stein

A work made of cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist.

The Forest, 1998

Ethel Stein

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