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A work made of etching on ivory chine collé on off-white wove paper.

Triumph, plate five from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Rescue, plate four from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Abduction, plate nine from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Quiet, plate eight from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Fears, plate seven from A Glove, 1881

Max Klinger

A work made of watercolor and gouache, over graphite, on off-white wove paper, edge mounted on cream wove card.

Mussooree and the Dhoon from Landour, c. 1835

Joseph Mallord William Turner

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Wishes, plate three from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Cupid, plate ten from A Glove, 1881

Max Klinger

A work made of lithograph in black on ivory wove paper.

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs, 1839

Honoré-Victorin Daumier

A work made of lithograph in black on off-white wove paper.

“Pardon me, Mayor.... would you please be so kind to tell me whether swimming is allowed here?,” plate 25 from Les Baigneurs, 1840

Honoré-Victorin Daumier

A work made of lithograph in black on off-white wove paper.

“Come on in, Monsieur, don't be shy. It's a living picture.... just like (you'd see) at the Porte St. Martin,” plate 62 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper.

A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography, 1802, published 1803

Henry Fuseli

A work made of lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper.

Angel of the Resurrection, from the first issue of Specimens of Polyautography, 1801, published 1803

Benjamin West

A work made of aquatint with etching on ivory laid paper.

Manerbawr Castle from the Inward Court, plate nine from Twelve Views in South Wales, 1775

Paul Sandby

A work made of aquatint with etching on ivory laid paper.

Benton Castle Looking down the Reach to Milford Haven, plate eleven from Twelve Views in South Wales, 1775

Paul Sandby

A work made of aquatint with etching on ivory laid paper.

Part of the Remains of Llanphor, near Pembroke, plate seven from Twelve Views in South Wales, 1775

Paul Sandby

A work made of aquatint with etching on ivory laid paper.

The South Gate of Cardiff Castle in Glamorgan Shire, plate two from Twelve Views in South Wales, 1775

Paul Sandby

A work made of aquatint on ivory laid paper.

And So Was His Grandfather, plate 39 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Those specks of dust, plate 23 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Pretty Teachings, plate 15 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

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