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A work made of etching and drypoint with foul biting in black ink on ivory laid paper altered to light brown.

Old Battersea Bridge, 1879

James McNeill Whistler

A work made of cotton, twill weave; printed.

Veneziania, 1925–1949

Mariano Fortuny y Madrazo

A work made of cotton, twill weave; printed.

Canova, 1962

Mariano Fortuny y Madrazo

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

Old Battersea Bridge, 1879

James McNeill Whistler

A work made of silver dye-bleach print.

Sons of the Devil, Chicago, 1980

Luis Medina

A work made of gelatin silver print.

Untitled, 1940/60

Unknown Maker

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1876), volume 3.

Ernest Legouvé, 1853/76

Nadar (Gaspard Félix Tournachon)

A work made of etching and drypoint in black ink on cream laid paper.

Old Battersea Bridge, 1879

James McNeill Whistler

A work made of etching and drypoint in brown ink on off-white laid paper.

The Dyer, 1879/80

James McNeill Whistler

A work made of etching and drypoint in black ink on ivory laid paper.

Little Putney Bridge, 1879

James McNeill Whistler

A work made of etching and drypoint in black ink on cream laid paper.

Little Putney Bridge, 1879

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on off-white laid paper.

The Little Putney, 1879

James McNeill Whistler

A work made of cotton, plain weave; resist printed.

Panel, 1725/75

A work made of gelatin silver print.

Untitled, 1920/26

VKhUTEMAS Workshops

A work made of gelatin silver print.

Untitled, 1920/26

VKhUTEMAS Workshops

A work made of heri, jô: silk and gold-leaf-on-lacquered-paper-strip, plain weave with plain interlacings of secondary binding warps and supplementary patterning wefts; shiten: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 'z’ twill weave with supplementary patterning weft floats and some supplementary patterning wefts bound in weft-float faced 1:2 'z’ twill interlacings; lining: silk, plain weave.

Ôhi (Stole), late Edo period (1789–1868), 1800/68

A work made of chromogenic print, printed 1981 by joel meyerowitz, negative #65.

The Arch, 1977

Joel Meyerowitz

A work made of chromogenic print, printed 1983 by joel meyerowitz, negative #2198-b.

Eliza, Provincetown, 1982

Joel Meyerowitz

A work made of linen, plain weave; embroidered with silk in chain, running (pattern darning) and satin stitches; couching; three loom widths joined.

Bedcover, 1700/1900

A work made of etching on ivory laid paper.

Adam and Eve, 1638

Rembrandt van Rijn

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