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A work made of multi-block woodcut printed with oil-based ink.

High Autumn (Gaoqiu), 1998

Li Yanpeng

A work made of wood engraving on paper.

Cutting a Figure, published February 4, 1871

Winslow Homer

A work made of gelatin silver print, from "the americans" (1955/56).

Men's Room, Railway Station, Memphis, Tennessee, 1955/56

Robert Frank

A work made of lithograph in pale pink, slate blue, yellow-green, and pale olive on light ivory wove paper.

She was More Beautiful Than Dreams, plate seven from Love, 1898, published 1899

Maurice Denis

A work made of etching with foul biting in black ink on ivory laid paper.

Shaving and Shampooing, 1888

James McNeill Whistler

A work made of face and backing: cotton, plain weave; embroidered through both thicknesses with cotton, in chain stitch; french knots; fringe border: silk, plain weave with weft fringe.

Hanging, 1675/1725

A work made of lithograph, with hand-coloring and natural gum, on cream wove paper.

Summer in the Highlands, 1867

Currier & Ives

A work made of ink on linen.

Cooper, Winston and Manierre Trust Building, Chicago, Illinois, Elevation, 1925

Alfred S. Alschuler

A work made of multi-block woodcut printed with water-soluble ink.

Auspicious Cloud (Xiangyun), 1998

Li Zhong

A work made of lithograph, with watercolor, heightened with gum arabic on ivory wove paper.

“- Isn't it marvellous to have a son who is a lawyer... what an honour for the family... Adolph, I want you to remain dressed like that all day long!...,” plate 21 from Les Bons Bourgeois, 1846

Honoré-Victorin Daumier

A work made of silk and gilt-metal-strip-wrapped silk, plain weave with twill interlacings of secondary binding warps and brocading wefts.

Panel, c. 1740

A work made of lithograph in yellow, reddish brown, and slate blue on light ivory wove paper.

It was a Religious Mystery, plate four from Love, 1898, published 1899

Maurice Denis

A work made of lithograph on paper.

Vignette: Satyr's Head, 1908/09

Edvard Munch

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

Limehouse, 1859

James McNeill Whistler

A work made of cotton, plain weave; screen printed.

Kivi Näkee Unta (Stone Has A Dream) (Furnishing Fabric), 1977

Pentti Rinta

A work made of etching and drypoint with foul biting in black ink, with graphite additions along shoulder and sleeve at left, on off-white wove paper.

Ross Winans, 1860

James McNeill Whistler

A work made of color video, sound; 10 min..

Lines of Force, 1979

Bob Snyder

A work made of lithograph on cream laid paper.

La Belle Jardinière, 1894

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of graphite, with smudging and black and blue ballpoint pens on cream wove hotel stationery.

Untitled (The Lord Nelson), 1991

Martin Kippenberger

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