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A work made of linen, needle lace of a type known as "point d'argentan" with a buttonholed mesh ground.

Fragment (Border), 1725/50

A work.

Fragment of a Border, 18th century

A work made of cotton; discontinuous warp and weft plain weave with dovetailed warps and interlocking wefts..

Fragment, A.D. 1000/1476

Ica

A work made of wool, 7:1 satin damask weave with supplementary brocading wefts bound in weft-float faced 1:3 'z' twill interlacings; full loom width and fragment joined.

Panel, Mid–18th century

A work made of cotton, plain weave; screen printed.

Green Man (Furnishing Fabric), 1950s

Keith Vaughan

A work made of variety of fibers, plain weave with variety of fibers, yarns, felted, knitted, oblique interlaced and/or woven strips, forming "hooked" pile.

Rug, 1850/1925

A work made of silk, wild silk, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing.

Panel, c. 1928/29 (reproduction of an 18th century design)

F. Schumacher & Co.

A work made of brocaded silk.

Fragment, Late 18th century

A work made of cotton, plain weave; joined with silk in cretan stitches.

Skirt (Corte), 1900/50

Maya

A work.

Table Runner, 1875/1900

A work made of brocaded compound cloth.

Fragment (Border), 17th century

A work made of skirt panel with glass beads; and glass bead fringe and tassels of strips of cotton, plain weave and plain knitting (possibly intentionally stained); knotted to waist cord.

Beaded Dance Apron (Baju tarian)

A work.

Handkerchief, 1825/75

A work made of cotton, cotton bouclé, and wild silk, plain weave, double cloth of complementary wefts.

Panel, c. 1897

Arthur Silver

A work made of cotton and silk, satin weave self patterned by reversing of faces (satin damask).

Panel, 1925

Henri Stéphany

A work made of cotton and linen, bobbin straight lace.

Border, 1850/75

A work made of cotton, mixed lace: bobbin part lace of a type known as "duchesse" and needle lace of a type known as "point de gaze" with later addition of silk, machine twist net.

Fragment (Skirt), 1875/1900

Bertha Honoré Palmer, (Mrs. Potter Palmer, I)

A work made of linen, needle lace.

Insertion, Late 19th century (based on 17th century English lace prototype)

A work made of linen, needle lace with woven tapes.

Border, 1675/1725

A work made of silk and cotton, compound weave; knotted silk fringe; floral and lace pattern.

Shawl, 1865/70

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