Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching with aquatint in black on cream wove paper.

The Switching Yard, 1999

Tony Fitzpatrick

A work made of etching and aquatint in black on cream wove paper.

The Smelt Dock, 1997

Tony Fitzpatrick

A work made of color etching with aquatint on cream wove paper, laid down on white wove paper (chine collé).

The Ship-Wrecked Sailor's Bird, 1994

Tony Fitzpatrick

A work made of color etching with aquatint on cream wove paper, laid down on white wove paper (chine collé).

The Watch-Man's Bird, 1994

Tony Fitzpatrick

A work made of color etching and aquatint on cream wove paper, laid down on white wove paper (chine collé).

The Wasp at Twilight, 1995

Tony Fitzpatrick

A work made of etching and aquatint in black on cream wove paper.

The Toy Bull, 1997

Tony Fitzpatrick

A work made of etching with aquatint in black on cream wove paper.

Tumbler, 2002

Tony Fitzpatrick

A work made of color etching with aquatint on cream wove paper, laid down on white wove paper (chine collé).

Transformation of the Junk Whore, 1995

Tony Fitzpatrick

A work made of etching with aquatint in black ink on white wove paper.

Untitled, 1994

Tony Fitzpatrick

A work made of color etching with aquatint on cream wove paper, laid down on white wove paper (chine collé).

Untitled, 1994

Tony Fitzpatrick

A work made of etching in black ink, hand-colored with brush and watercolor, on white wove paper.

Untitled, 1994

Tony Fitzpatrick

A work made of lithograph in black on cream wove paper, discolored to tan.

Metaphysical Joke #1 (~E!V), 1954

Robert Barnes

A work made of etching with aquatint in black on white wove paper.

Winter Etching, 2000

Tony Fitzpatrick

A work made of etching in black, with aquatint in black and greenish gray, on cream wove paper.

Watch Bird, 2002

Tony Fitzpatrick

A work made of drypoint in black on cream wove paper.

Frenzied Effort, 1925

Peggy Bacon

A work made of etching in black on cream wove paper hinged to black wove paper.

A Chimera: Rheims, 1945

John Taylor Arms

A work made of drypoint in black on cream wove paper.

The Untilled Field, 1937

Peggy Bacon

A work made of drypoint in black on cream wove paper.

The Promenade Deck, from Six American Etchings (series one): The New Republic, 1924

Peggy Bacon

A work made of drypoint in black on cream laid paper.

Greed, 1929

Peggy Bacon

Dust Radio, from American Etchings

Dust Radio, from American Etchings, 2011

Tony Fitzpatrick

<<<678679680681 >>>