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A work made of engraving in black on ivory laid paper.

The Vision of Ezekiel, 1554

Giorgio Ghisi

A work made of woodcut in black on ivory laid paper.

The Submersion of Pharaoh's Army in the Red Sea, c. 1515, printed 1549

Titian

A work made of woodcut printed in black on ivory laid paper.

Laocoön, 1540/45

Nicolò Boldrini

A work made of etching in black on cream laid paper.

Still-Life with a Group of Muffs, a Pair of Gloves, and Two Kerchiefs, 1647

Wenceslaus Hollar

A work made of engraving in black on ivory laid paper.

The Fall of Troy and the Escape of Aeneas, 1540/50

Giorgio Ghisi

A work made of engraving in black on ivory laid paper.

Adoration of the Shepherds, 1598/1600

Hendrick Goltzius

A work made of color screenprint on white wove paper.

Eddie (Sylvie's Brother) in the Desert, 1966

Oyvind Fahlström

A work made of woodcut in black on cream wove paper.

Money, plate five from Intimacies, 1898

Félix Edouard Vallotton

A work made of color screenprint on black wove paper.

Athens to Memphis, 1984

Doug Huston

A work made of collage composed of cut and pasted and riveted screenprinted elements on screen print, laid down on rag board.

Eddie (Sylvie's Brother) in the Desert, Phase 1, 1966

Oyvind Fahlström

A work made of screenprint with color chromogenic photographic print, laid down on four-ply rag board, tipped down onto composition board.

Landscape 9, from Ten Landscapes, 1967

Roy Lichtenstein

A work made of iridescent silver mylar collage on opaque black rowlux and gray moiré rowlux, laid down on four-ply board, tipped onto composition board.

Landscape 8, from Ten Landscapes, 1967

Roy Lichtenstein

A work made of screenprint on four-ply board, tipped onto composition board.

Landscape 1, from Ten Landscapes, 1967

Roy Lichtenstein

A work made of screenprint on color chromogenic print and translucent moiré rowlux, laid down on four-ply board, tipped onto composition board.

Landscape 10, from Ten Lanscapes, 1967

Roy Lichtenstein

A work made of color screenprint on white wove paper.

Wide Light, plate one from Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

A work made of color screenprint on ivory wove paper.

Untitled, from Conspiracy, The Artist as Witness, 1971

Larry Poons

A dark-skinned woman cradles a dark-skinned baby in her arms; the baby looks out, and raises an arm. Their forms are made up of blocky shapes, appearing like a collage, and they are set against a blue, green, and red color-blocked background.

Mother and Child, from Conspiracy, The Artist as Witness, 1971

Romare Howard Bearden

A work made of color screenprint on off-white wove paper.

National Defense, 1941

Leonard Havens

A work made of color screenprint, heightened with colored crayons, on cream wove paper.

The Garden Island, c. 1960

Ray Yoshida

A work made of color screenprint on white wove paper.

Propagation 100-S, 1969

Takesada Matsutani

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