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A work made of cotton, plain weave with supplementary pile warps forming cut and uncut voided velvet.

Rambouillet (Furnishing Fabric), 1990

Osborne & Little (Firm)

A work made of cotton, plain weave with supplementary pile warps forming uncut solid velvet.

Anatolia (Furnishing Fabric), 1988

Osborne & Little (Firm)

A work made of cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed.

Upholstery Fabric for the Fisher Theater, c. 1928

Mrs. Howard C. Blake

A work made of linen, plain weave; underlaid with cotton, plain weave; embroidered with linen, silk, and cotton in padded satin, satin and stem stitches; laid work and couching.

La Matinata (Morning Song), 1975

Lissy Funk

A work made of silk, stencil-printed warp and weft (heiyo kasuri) plain weave; lined with cotton, plain weave.

Kimono, 1920s/30s, Taishô period (1912–1926) /Shôwa period (1926–1989)

A work made of cotton and wool (camelid), slit tapestry weave with eccentric wefts.

Fragment, 1000-1476

A work made of linen, single knots and extended threads; (pressure mounted into fan shape).

Painted Fan, 1981

Diane Itter

A work made of silk; plain weave and plain weave self-patterned by warp floats; double cloth (areas stuffed); embroidered with linen in stem stitches.

Hanging (Possibly Incomplete), 1960s-70s

Claire Zeisler

A work made of cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; screen printed.

Panel, 1933/39

Eileen Hunter

A work made of wool and linen, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "ghiordes knots".

Le Jardin (The Garden), c. 1925

Jean Lurçat

A work made of silk, gilt-paper-strip-wrapped silk, and peacock-feather-wrapped silk; tapestry weave.

Kesa, Edo period (1615–1868), Late 18th century

A work made of silk and gilt-paper strip; twill weave with secondary binding warps and supplementary patterning wefts with couched plied silk.

Ôhi (Stole), Late 19th century, Meiji period (1868–1912)

A work made of silk and gilt-paper strip; twill weave with secondary binding warps and supplementary patterning wefts with couched plied silk; silk cords.

Kesa, Late 19th century, Meiji period (1868–1912)

A work made of silk and gilt-paper strip; satin weave with secondary binding warps and supplementary patterning wefts.

Kesa, 18th century, Edo period (1603–1868)

A work made of two panels joined: silk, plain weave; resist dyed.

Wrapping, 1993

Marie-Hélène Guelton

A work made of silk and gilt-paper strip; twill weave with supplementary patterning and brocading wefts.

Kesa (Buddhist Monk's Robe), Late 19th or early 20th century, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of cotton and wool, plain weave with discontinuous wefts; fulled.

Si Rothko M'etait Conté (If Rothko Himself Had Told Me a Story), 1997

Mariette Rousseau-Vermette

A work made of cellulose acetate, interworked elements; embellished with silk in needleworked spots; stiffened.

Crazy Circulation, 1996

Betty Boulez-Cuykx

A work made of linen and cotton, combined twill weave with discontinuous wefts; open work.

Celtic Fret, c. 1986

Robin A. Pyzik-Shuler

A work made of cotton, plain weave; probably screen printed.

Fragment (Depicting Airplanes) (Dress or Furnishing Fabric), 1927

Raisa G. Matveeva

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