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A work made of linen, bobbin part lace (continuous clothwork tapes).

Flounce (Possibly From an Alb), 1701/50

A work made of linen, bobbin part lace.

Border, 1701/50

A work made of cotton, bobbin part lace of a type known as "duchesse de bruges".

Scarf, 1880s/90s

A work made of silk and silk-wrapped linen, bobbin straight lace of a type known as "gimp".

Fragment, 1650/75

A work.

Galloon (Trim), c. 1850

A work made of travertine (egyptian alabaster).

Unguent Vessel, Old Kingdom–Middle Kingdom (?), Dynasty 3–12 (about 2686–1773 BCE)

Ancient Egyptian

A work made of light grey-green jade.

White Jade Pouring Cup (Yi), Qing dynasty (164401911), 18th century

A work made of carved stone.

Soapstone Figure of Guanyin, Qing dynasty (1644-1911), Qianlong period (1736–1795)

A work made of porcelain with overglaze polychrome enamel decoration.

Arita ware dish, Kakiemon style, 18th century

Dish with Duck Swimming in Lotus Pond

Dish with Duck Swimming in Lotus Pond, Jin dynasty (1115–1234), 13th century

A work made of stoneware with white slip and glaze.

Conical bowl, Joseon dynasty (1392–1897), late 15th–early 16th century

A work made of red lacquer carved on brown lacquer base, iron mountings and fittings.

Lacquer Saddle, Ming dynasty (1368–1644), 16th century

A work made of mother-of-pearl inlay, silver base (?) and interior.

Pair of Bowls with Mother-of-Pearl Inlay, Qing dynasty (1644-1911)

A work made of terracotta.

Standing female figure, 5th century

A work made of linen, bobbin straight lace of a type known as "valenciennes" with a square valenciennes mesh ground.

Border, 1765/75

A work made of linen, bobbin part lace (made in large sections).

Flounce, 1701/50

A work made of silk and silk-wrapped linen cords, bobbin straight lace.

Braid, 1650/75

A work made of paper, printed; polyester plain weave ties.

Paper Wrapper (For a Chôken), Shôwa period (1926–1989), c. 1967

A work made of a: silk and gold-leaf-over-lacquered-paper strip, warp-dyed (kasuri) plain weave with creped wefts and with supplementary brocading wefts (chirimen nuitori) bound by main warp in weft float faced 1:5 's'twill interlacings b: silk, wild silk and gold-leaf-over-lacquered-paper-strip wrapped silk, warp-stripe plain weave with paired wefts and strips of 3:1 interlacing in alternation with supplementary brocading wefts bound by main warps in plain interlacings.

Katagawa Obi (Side Patterned Belt), Taishô period (1912–1926), c. 1914

A work made of silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 'z' twill weave with weft-float-faced 1:2 'z' twill interlacings of secondary binding warps and supplementary patterning and brocading wefts; interlining: cotton, plain weave; padding: silk fibers, felted.

Fragment (Maru Obi) (Formal Obi), early Shôwa period (1926–1989), 1926/40

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