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A work made of cotton, plain weave; screen printed.

Panel (Furnishing Fabric), 1960s

A work made of linen and cotton, twill weave; embroidered with wool yarns in chain, long, short, seed, outline, buttonhole, running, bullion and satin stitches; french knots.

Panel, 1675/1700

A work made of cotton, plain weave; probably engraved roller printed.

Les Nouveaux Elements (Furnishing Fabric), c. 1815

Samuel Cholet

A work made of jute, plain weave with wool yarn, knitted and woven strips forming "hooked" pile.

Rug, 19th century

A work.

Necktie, 19th century

A work made of linen, satin weave self-patterned by reversing of faces.

Napkin Depicting The Five Senses, 1891

Walter Crane

A work made of linen, bobbin part lace of a type known as "brussels"; regrounded with cotton needle made mesh.

Border, 1725/75

A work made of silk, plain compound twill (research card).

Panel, 1875–1925

A work made of silk, plain weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; edged with warp-float faced 4:1 and 7:1 satin weaves; waist band.

Woman's Qun (Skirt), 1880/90, Qing dynasty (1644–1911)

Han-Chinese

A work made of linen, needle lace of a type known as "point d'argentan" with a whipped mesh ground.

Border, 1901/25

A work made of cotton, bobbin part lace (cloth work tapes).

Border (Fragment), 1701/25

A work made of in deep red ground.

Prayer Rug, 1875/1900

A work made of wool (camelid), stripes of warp-faced plain weave and complementary patterning warp; two panels joined.

Coca or Ceremonial Cloth (Inkuña), 1875/1925

Quechua

A work.

Woman's Headdress (Tzute), 1900/50

Maya

A work.

Cover, 18th century

A work made of leather, silk, plain weave; brocaded.

Pair of Pattens (Overshoes), 1720s

A work made of paper.

Waistcoat Design, 1830s/40s

A work made of linen, plain weave; curtains: embroidered with wool in cross, romanian, running, satin, and stem stitches; valances: embroidered in romanian, satin, and stem stitches.

Bed Curtain, c. 1760

Hannah Hinman Twitchell Pierce

A work made of silk, cotton, and gilt-metal-strip-wrapped wild silk, plain weave with plain interlacings of secondary binding warps and supplementary patterning and brocading wefts; woven on loom with jacquard attachment.

Panel, 1872 (reproduction of a 12th–century design)

A work made of painted paper mount; faces of figures are beautifully painted on applied pieces of ivory; delicatedly carved ivory sitcks and guards; in black and gold lacquer box.

Fan with box, 19th century

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