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A work made of silk, warp-float faced 7:1 satin weave of two-color complementary ground wefts with supplementary patterning and brocading wefts bound in twill interlacings and supplementary binding warps tying some self-patterning ground wefts in plain interlacing.

Panel, 1735/36

A work made of cashmere wool composed of many small pieces of embroidered plain simple twill.

Shawl, 19th century

A work made of silk and cotton, plain weave with supplementary brocading wefts.

Panel from a Curtain, 1850/1900

A work made of linen, knotting technique known as macramé.

Tres Modulos (Three Modules), 1976

Aurèlia Muñoz

A work made of wool and linen, plain weave with supplementary broading wefts and supplementary patterning wefts tied by secondary binding warps, knotted warp fringe along edge.

Hanging, after 1904

Maja Sjöström

A work made of slit tapestry.

Fragment, A.D. 1000/1476

A work made of silk.

Panel, 17th century

A work made of cotton and polyester, twill weave; screen printed.

Lace 'n Lillies (Furnishing Fabric), 1979

Carol Gresko-Lyons

A work made of silk, warp-float faced 3:1 broken warp chevron twill weave with supplementary pile warps forming cut pile-on-pile solid velvet.

Fragment (Dress Fabric), 1500/50

A work made of leather.

Shoe, 16th century

A work made of silk and gilt-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading and patterning wefts tied by supplementary binding warps in weft-float faced 4:1 and 2:3 twill interlacings.

Two Fragments (From a Chasuble), c. 1725/28

A work made of linen, plain weave; embroidered with silk.

Tablecloth, 1901/25

A work made of cotton, plain weave; screen printed.

Trio (Fragment), 1960s

Lucienne Day

A work made of cotton, plain weave; rotary screen printed using galvano screens.

Lemon Vine (Furnishing Fabric), 1989 (produced 1990)

Designers Guild

A work made of cotton, machine-made net; embroidered with linen in cross, half cross, darning, overcast, and wave filling stitches; edged with cotton, machine-made picots.

Bonnet Veil, 1837

Sara Russ

A work made of cotton, plain weave with discontinuous supplementary wefts forming cut pile.

Carpet, 1920/30

A work made of cotton, bobbin straight lace of a type known as "mechlin" with a kat stitch mesh ground.

Border (Fragment), 1750/1800

A work made of cotton, needle lace of a type known as "point de gaze".

Border, 1860/80

A work made of wool and cotton, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "ghiordes knots".

Carpet, 1875/1900

A work made of silk, damask weave; embroidered with gilt frisé, gilt strips wound around a silk fibre core in couching over silk floss covered cardboard, couching and straight stitches; lined in silk, plain weave.

Waistcoat, 1701/25

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