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A work made of cotton, rayon, wool, and metallic foil encased in polyester film, plain weave; one selvage present.

Fragment (Up 102 D #1), 1944/74

Robert D. Sailors

A work made of cotton, plain weave; block printed.

Umbra (Umber) (Dress or Furnishing Fabric), 1922

Maria Likarz-Strauss

A work made of linen, plain weave; screen printed.

Country Fair (Drapery Fabric), c. 1951

Ruth Adler Schnee

A work made of silk, plain weave; warp-painted (chiné).

Panel from a Skirt, 18th century

A work made of cotton, plain weave; engraved roller printed.

The Gallant Decature and His Brave Tars Capturing the Algerine Admiral (Furnishing Fabric), c. 1820

A work made of cotton, machine-made lace: twist net; machine embroidered laid work and couching.

Panel (Curtain Fabric), Mid–1920s

Tommi Parzinger

A work made of rayon, cotton, and polyester, stitched double cloth of warp-ikat dyed twill weave and twill weave; two selvages present.

Manhattan (Furnishing Fabric), 1991

Création Baumann

A work made of linen, plain weave; screen printed.

Abacus (Furnishing Fabric), 1951

Paul Rand

A work made of cotton, plain weave; screen printed.

Bark Cloth (Dress or Furnishing Fabric), c. 1954

Eduardo Paolozzi

A work made of wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "ghiordes knots".

Carpet, 1875/1900

A work made of linen, plain weave; screen printed.

Tulpaner (Dress or Furnishing Fabric), 1930s/40s (reproduced 1980s)

Josef Frank

A work made of cotton and rayon, weft-float faced 7:1 satin weave; screen printed.

Morn in New York (Furnishing Fabric), 1947

Stan Taylor

A work made of cotton, twill weave; printed.

Panel, 1920s

Mariano Fortuny y Madrazo

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Franz Wiedl

A work made of cotton, plain weave; copperplate printed.

William Penn's Treaty with the Indians (Furnishing Fabric), c. 1785

John Boydell

A work made of linen, wool, silk, rayon, nylon and acetate, plain weave with supplementary brocading wefts.

Two Forces Meeting and Opposing (Hanging), 1959

Lenore Tawney

A work made of silk, rayon, and gilt-metal-strip-wrapped silk, twill weave, with patterning wefts bound in twill interlacing; woven on a loom with a jacquard attachment.

“Chevaux Marins, Baleines et Coquillages” (Sea horses, Whales and Shellfish), c. 1925

Raoul Dufy

A work made of silk, gilt-metal strips, and gilt-metal-strip-wrapped silk, two-color complementary weft plain weave with supplementary patterning warps, supplementary facing and brocading wefts and self-patterned by ground weft floats.

Panel, c. 1780

A work made of cotton, plain weave; flat bed screen printed; glazed.

Large Flower (Furnishing Fabric), 1985 (produced 1986)

Howard Hodgkin

A work made of cotton, plain weave; copperplate printed.

Le Meunier, Son Fils, et l'Ane (The Miller, His Son, and the Ass) (Furnishing Fabric), 1806

Jean Baptiste Huet

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