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A work made of silk and silvered-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts and supplementary binding warps tying some self-patterning ground wefts in plain interlacing.

Panel (Dress Fabric), c. 1725

A work made of linen, plain weave; cut and drawn work embroidered in hem and italian hem stitches; with insertion and edging of bobbin straight lace.

Cover, 1875/1900

A work made of cotton, velveteen; screen printed.

Midsummer Velvet (Furnishing Fabric), 1956

Don Wight

A work made of silk, plain weave; hand-printed with discharge dyes.

South China Sea (Furnishing Fabric), 1960/74

Larsen Design Studio

A work made of cotton, plain weave; engraved roller printed.

The Marrige of Eugenie and Napolean (Furnishing Fabric), 1854/55

A work made of silk, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in twill interlacings (lampas).

Panel, 19th century

A work made of cotton, mixed lace: bobbin lace of a type known as "duchesse" with insets of needle lace of a type known as "point de gaze".

Stole, 1875/1900

A work made of chiaroscuro wood engraving in black and bluish gray on white wove paper.

Night Flight, 1941

Rockwell Kent

A work made of etching on ivory laid paper.

Pastoral Gifts, n.d.

Johann Lorenz Rugendas, I

A work made of graphite with brown ink wash on ivory wove paper.

Study for Caisson d'artillerie, 1818

Jean Louis André Théodore Géricault

A work made of charcoal, with touches of gouache, on tan china paper.

Study of a Horse and Rider, c. 1874

Jules-Élie Delaunay

A work made of pen and ink and graphite on paper.

Group of Portrait and Compositional Studies, n.d.

Jules-Élie Delaunay

A work made of etching and drypoint on pinkish cream laid paper.

Avenue Trudaine on a Rainy Day, 1875

Norbert Goeneutte

A work made of black chalk with touches of red chalk, on ivory wove paper.

The Bookmaker, n.d.

Jean Louis Forain

A work made of brush and brown wash and white gouache, over graphite, on blue wove paper, faded to brown.

Design for a China Plate, c. 1882

Eugène Carrière

A work.

Fragment (Border), 18th century

A work made of silk, machine-made twist net; embroidered in chain stitches (tambour work); edged in machine-made picots.

Bonnet Veil, 1825/35

A work made of etching and engraving on cream laid paper.

Interior in an Inn, called "The Skaters" (De Schaatsenrijder), c. 1655

Cornelis Visscher

A work made of waxed paper negative.

Untitled, 1854

Edouard Denis Baldus

A work made of etching on ivory laid paper.

The Corner of Cheyne Walk, Chelsea, 1888–89

Theodore Roussel

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