Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on copper.

Two Personages in Love with a Woman, April 29–May 9, 1936

Joan Miró

A work made of oil on canvas.

Fleeing Ghost, 1929

Paul Klee

Woman composed of geometric shapes, clothed in yellow, reclines holding a book.

Reclining Woman, 1922

Fernand Léger

White sculpture of various sized rectangles stacked and interlocked with one another.

Interrelation of Volumes from the Ellipsoid, 1926

Georges Vantongerloo

A work made of oil on canvas.

Mural for a Photographer (Wandbild für einen Fotografen), 1925

Franz Wilhelm Seiwert

A work made of oil on pressboard.

Étude No. 1, 1917

Georges Vantongerloo

A work made of oil on canvas.

The Hippodrome, London, 1902

Everett Shinn

A work made of oil on canvas.

Chicago Harbor, 1931

William S. Schwartz

A work made of egg tempera on masonite.

Tattoo and Haircut, 1932

Reginald Marsh

Painting resembles a blurry, blue photograph of woman wearing a shiny dress.

Woman Descending the Staircase (Frau die Treppe herabgehend), 1965

Gerhard Richter

A work made of steel with gilding, brass, and leather.

Garniture for Field and Foot Tourney at the Barriers, c. 1575

A work made of oil on canvas.

Saint John the Baptist in the Wilderness, c. 1622

Diego Velázquez

A work made of rubbed gunpowder on white wove paper.

Trailer, 1968

Ed Ruscha

A work made of color screenprint on ivory wove paper.

Double Standard, 1969

Ed Ruscha

A work made of color screenprint on ivory wove paper.

Cheese Mold Standard with Olive, 1969

Ed Ruscha

A work made of color screenprint on ivory wove paper.

Standard Station, 1966

Ed Ruscha

A work made of color screenprint on ivory wove paper.

Moca Standard, 1969

Ed Ruscha

A work made of lithograph in yellow, blue, red and black on japanese paper.

Small Worlds II, plate two from Kleine Welten, 1922

Vasily Kandinsky

A work made of lithograph in color, from four stones, on ivory wove paper.

Orange, 1923

Vasily Kandinsky

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on thick, moderately textured (twill texture on verso), ivory wove paper (left, right and lower edges trimmed).

Life-Size Black Bass, 1904

Winslow Homer

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