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A work made of pen and black ink over traces of graphite on ivory wove paper, laid down on tan board.

Sketch in the Midway Plaisance, 1893

Philip William May

A work made of pen and brown ink over graphite, with touches of white gouache, on ivory wove paper.

Humorous Scene of London Life in the East End, 1889

Philip William May

A work made of pen and black ink, over traces of graphite, on ivory wove paper, laid down on board.

Ah! Would You?, 1892

Philip William May

A work made of colored crayon heightened with brush and white gouache, over graphite, on tan wove paper.

Portrait of a Woman with Black Hat, 1884/1903

Philip William May

A work made of pen and brown ink with brush and watercolor and gouache, over graphite, on ivory wove paper, laid down on brown wove paper.

Policeman and Tramp, 1898

Philip William May

A work made of pen and black ink with blue pencil on ivory wove paper.

What Made You Take Up Art as a Profession?, 1894

Philip William May

A work made of pen and brown ink over traces of graphite on ivory wove card.

A Day with the Medicine Man, n.d.

Philip William May

A work made of pen and brown ink on buff wove paper, laid down on ivory wove card.

Perspective, 1870/91

Charles Samuel Keene

A work made of pen and black ink with blue pencil on ivory wove paper.

Rest for the Weary, 1902

Philip William May

A work made of pen and brown ink on gray laid paper, laid down on tan wove card.

Man Seated, Holding Staff in Left Hand, 1860/69

Charles Samuel Keene

A work made of pen and brown ink, with touches of gouache, on tan wove paper, laid down on ivory wove card.

A Military Inspection, 1870/91

Charles Samuel Keene

A work made of pen and brown ink, with brush and brown wash and white gouache, over black chalk, on buff wove paper, laid down on ivory wove card.

Officer and Orderly, 1870/91

Charles Samuel Keene

A work made of pen and brown ink, over traces of graphite, on cream wove paper, laid down on ivory wove card.

Seated Man in Tunic, 1860/69

Charles Samuel Keene

A work made of pen and brown ink, with brush and red watercolor, over traces of brown pencil, on buff wove paper, laid down on ivory wove card.

Life Boat Full of Women, n.d.

Charles Samuel Keene

A work made of pen and brown ink, with brush and white gouache, over traces of graphite, faintly squared in graphite, on ivory wove paper, laid down on ivory wove card.

A Deputation from the Whitefriars, 1870/91

Charles Samuel Keene

A work made of pen and brown ink, with brush and brown wash and touches of white gouache, over black chalk, on cream wove paper, laid down on ivory wove paper.

Study for Title Page from Punch, Volume 81, 1881

Charles Samuel Keene

A work made of pen and brown ink, with brush and gray wash and white gouache, over black chalk, with touches of graphite, on ivory wove paper, laid down on tan wove card.

The Potato Harvest, 1877

Charles Samuel Keene

A work made of pen and brown ink, with touches of white gouache, over traces of graphite, on cream wove paper, laid down on ivory wove card.

Study for Punch, Volume 90, 1886

Charles Samuel Keene

A work made of pen and brown ink, with touches of white gouache, over graphite, on buff laid paper, laid down on ivory wove board.

Study for Title Page, from Punch, Volume 55, 1868

Charles Samuel Keene

A work made of pen and brown ink, with touches of white gouache, over traces of graphite, on ivory wove paper, laid down on ivory wove card.

Nil Nisi Bonum, 1870/91

Charles Samuel Keene

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