Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of porcelain.

Farming Plate, New England Industries Series, 1952

Clare Veronica Hope Leighton

A work made of stoneware and glaze.

Vessel, c. 1946

Maija Grotell

A work made of steel and maple (later laminated surface).

Desk, 1937–39

Frank Lloyd Wright

Painting of light-colored sand, gray hills of uncertain size, and a strip of blue sky.

The Black Place, 1943

Georgia O'Keeffe

A work made of steel and maple, with original upholstery (later laminated surface).

Armchair, 1937–39

Frank Lloyd Wright

A work made of earthenware and glaze.

Coupe (Footed Bowl), 1945–46

Gertrud Natzler

A work made of stoneware with glaze.

Vase, c. 1940

Maija Grotell

A work made of earthenware and glaze.

Flame Red Bowl, 1945

Gertrud Natzler

A work made of earthenware and slip.

Jar with Feather Motif, 1956–71

Maria Martinez

A work made of oil and graphite on fiber board.

...And the Home of the Brave, 1931

Charles Demuth

A work made of oil, metallic paint, and an unidentified material (possibly wax) on canvas.

Silver Sun, 1929

Arthur Dove

A work made of oil on paperboard.

The Last of New England—The Beginning of New Mexico, 1918–19

Marsden Hartley

A work made of oil, metallic paint, and pencil on steel plate.

Telegraph Pole, 1929

Arthur Dove

A work made of oil on hardboard.

Madawaska—Acadian Light-Heavy, 1940

Marsden Hartley

A work made of chrome-plated steel with replacement upholstery.

Armchair, c. 1930

Richard Joseph Neutra

A work made of ceramic and pigment.

Plate with Four-Part Geometric Pattern, c. 1933

Maria Martinez

Painting of two red-and-orange flowers in the bottom half of the frame and beyond them, in the top half, reddish-brown hills.

Red Hills with Flowers, 1937

Georgia O'Keeffe

Painting of a close-up view of a pale, pinkish stone cliff with a V-shaped dip against a blue sky.

The White Place in Sun, 1943

Georgia O'Keeffe

A work made of oil on canvas.

Spring, 1923–24

Georgia O'Keeffe

Abstract painting with a purple background and irregular grey and white shapes thrusting into all four corners.

Extemporaneous, 1927

Helen Torr

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