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A work made of colored markers on tracing paper.

Elephant Habitat, Lincoln Park Zoo, Chicago, Illinois, Plan, c. 1980

Skidmore, Owings & Merrill

A work made of colored markers on tracing paper.

Timber Wolf Habitat, Lincoln Park Zoo, Chicago, Illinois, Plan, c. 1980

Skidmore, Owings & Merrill

A work made of colored pencil, felt-tip marker, pastel, and pen and ink on yellow tracing paper.

Olympia Center, Chicago, Illinois, Rendering of Elevation, c. 1981

Skidmore, Owings & Merrill

A work made of colored pencil and ink, air brush on verso, on yellow tracing paper.

One Magnificent Mile, Chicago, Illinois, Study, c. 1981

Skidmore, Owings & Merrill

A work made of etching and engraving on off-white laid paper.

Sepolcro delle tre fratelli Curiati in Albano (Tomb of the Three Curiatii Brothers in Albano), from the Antichità Romane de' Tempi della Repubblica, 1748

Giovanni Battista Piranesi

A work made of etching, engraving, and drypoint on off-white paper.

The Monumnental Tablet, from the Grotteschi, 1747-49

Giovanni Battista Piranesi

A work made of etching in black ink on cream laid paper.

The Remains of the Mausoleum of Augustus, plate XXI from The Campus Martius of Ancient Rome, first published 1762

Giovanni Battista Piranesi

A work made of etching in black on ivory laid paper.

Temple of Sol and Luna…, from Views of Rome (Tempi del Sole e della Luna, o come altri, d'Iside e Serapi, from Vedute di Roma), 1760-78

Giovanni Battista Piranesi

A work made of wood box, beaded molding, cord, glass, lightbulb, paper.

Untitled (Bird Box), c. 1958

Joseph Cornell

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo II

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo II, 1778–80

Giovanni Battista Piranesi

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I, 1778–80

Giovanni Battista Piranesi

A work made of book with forty-nine etchings in black on ivory wove paper.

The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London, 1762

Giovanni Battista Piranesi

The End is the Beginning

The End is the Beginning, 1955

Joseph Cornell

A work made of etching on ivory laid paper.

Arch of Galienus. I. Facade of the Church of S. Vito, plate 29 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Tomb of Caecilia Metella, from Views of Rome, 1762, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the ancient structure built by Tarquinius Superbus called the Bel Lido, and like others, built by Marcus Agrippa in the time of Augustus when he cleaned all of the sewers leading to the Tiber, from Views of Rome, 1776, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Arch of Constantine, from Views of Rome, 1771, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the Colosseum, from Views of Rome, 1766, published 1807–35

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Arch of Trajan in Ancona, plate 28 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Tomb of the three Curiatii brothers in Albano, plate 27 from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

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