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A work made of paper; sepia ink.

Book of Woven Coverlet Designs (Draft), c. 1839

Daniel Stephenson

A work made of graphite and colored pencil on tracing paper.

Alten Mortuary, Wilmette, Illinois, Presentation Drawing, 1940

Lloyd Morgan Yost

A work made of graphite and colored marker on yellow tracing paper.

Time and Life Building, Chicago, Illinois, Perspective Sketch, 1966

Harry Weese Associates

A work made of ink, colored ink, and colored pencil on tracing paper.

Mr. and Mrs. Herbert A. Jacobs House, Middleton, Wisconsin, Ground Floor Furniture Plan, 1944

Frank Lloyd Wright

A work made of hemp and sisal, weft-faced discontinuous warp and weft plain weave with discontinuous supplementary wrapping wefts forming cut pile through a technique known as "ghiordes knots"; metal frame.

Nike-Analiza Wspomnienia (Nike-Analysis of Memories), 1972

Stefan Poplawski

A work made of earthenware with pierced and incised decoration.

Water Filter with Geometric Design, Fatimid dynasty (969–1171), 11th/12th century

Islamic

A work made of earthenware with pierced and incised decoration.

Water Filter with Floral Design, Fatimid dynasty (969–1171), 11th/12th century

Islamic

A work made of earthenware with pierced and incised decoration.

Water Filter with an Elephant Figure, Fatimid dynasty (969–1171), 11th/12th century

Islamic

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; sleeve facing: silk, 7:1 satin damask weave; embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, single satin, split, and stem stitches (under drawing in black ink or graphite); edging and cloud collar: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-wrapped silk in satin and stem stitches; laid work and couching; collar: silk, 7:1 satin damask weave; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave and stripes of plain weave with supplementary patterning warps and of silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave, and stripes of plain weave with supplementary patterning warps; tapes: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing and silk, plain weave with self-patterning main warp floats; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, plain weave.

Woman's Ao (Short Robe), Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.

Group of Nine Standing Figures, 1524/27

Parmigianino

The Old Savoyard

The Old Savoyard, 1726, printed after 1755

François Boucher

A work made of chalk manner in black and white ink on blue laid paper.

Marie-Rosalie Vanloo, 1764

Louis-Marin Bonnet

The Dream of Aeneas

The Dream of Aeneas, 1663–1664

Salvator Rosa

Chalk drawing with red and black shading of man carrying crate and pack.

The Old Savoyard, c. 1715

Jean Antoine Watteau

A work made of oil on canvas.

The Sacred Grove, Beloved of the Arts and the Muses, 1884/89

Pierre Puvis de Chavannes

A work made of silver gilt with spessartine garnets.

Chalice, 1827–28

John Bridge

A work made of silver.

Ewer and Basin, c. 1750

A work made of aquatint, with soft-ground etching and drypoint, on cream wove paper.

Lydia Reading, 1880/81

Mary Cassatt

A work made of etching and aquatint in black on cream laid paper.

Head of Edgar Degas in Profile, n.d.

Mary Cassatt

A work made of soft-ground etching in black on cream laid paper.

Mr. and Mrs. Cassatt Reading, c. 1882

Mary Cassatt

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