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A work made of lithograph in black on ivory wove paper.

Mother and Child, 1952

John Wilson

A work made of hard-paste porcelain and gilding.

Teapot, 1845

Manufacture nationale de Sèvres

A work made of hard-paste porcelain and gilding.

Covered Pitcher, 1839

Manufacture nationale de Sèvres

A work made of hard-paste porcelain and gilding.

Pitcher, 1845

Manufacture nationale de Sèvres

A work made of mezzotint on ivory laid paper.

Edwin, 1778

John Raphael Smith

A work made of etching, with touches of graphite on ivory laid paper.

Expulsion of the Jesuits, 1761

Gabriel Jacques de Saint-Aubin

A work made of etching and drypoint on ivory laid paper.

Frontispiece for Almanach Historico-Physique, 1762

Gabriel Jacques de Saint-Aubin

A work made of black chalk, with touches of pen and black ink and white chalk, on tan laid paper.

Lot's Daughters Fleeing Sodom, 1615/20

Lucas Emil Vorsterman

A work made of lithograph in black on ivory wove paper.

Portrait of Auguste Brunet, 1818

Jean Louis André Théodore Géricault

A work made of lithograph, with gray tone block on cream wove paper.

Church and Graveyard in the Snow by Moonlight, 1827

Carl Blechen

A work made of lithograph in black on cream china paper, laid down on ivory wove paper (chine collé).

Plate One from Misery, 1851

Charles Rambert

A work made of lithograph in black on cream china paper, laid down on ivory wove paper (chine collé).

Title Page from Misery, 1851

Charles Rambert

A work made of book with four halftone reproductive prints in black on blue-green wove paper (discolored to cream around edges).

Threesome (Troe), 1913

Kasimir Malevich

A work made of lithograph in black on cream china paper, laid down on ivory wove paper (chine collé).

Plate Four from Misery, 1851

Charles Rambert

A work made of lithograph in black on cream china paper, laid down on ivory wove paper (chine collé).

Plate Three from Misery, 1851

Charles Rambert

A work made of lithograph in black on cream china paper, laid down on ivory wove paper (chine collé).

Plate Two from Misery, 1851

Charles Rambert

A work made of lithograph in black on cream china paper, laid down on ivory wove paper (chine collé).

Plate Seven from Misery, 1851

Charles Rambert

A work made of lithograph in black on cream china paper, laid down on ivory wove paper (chine collé).

Plate Six from Misery, 1851

Charles Rambert

A work made of lithograph in black on cream china paper, laid down on ivory wove paper (chine collé).

Plate Five from Misery, 1851

Charles Rambert

A work made of brush and various gray washes over traces of graphite, on ivory wove paper, laid down on cream wove paper.

The Cloister of San Lorenzo Fuori le Mura, Rome, 1827

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