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A work made of paper.

Waistcoat Design, 1830s/40s

A work made of paper.

Waistcoat Design, 1830s/40s

A work made of paper.

Waistcoat Design, 1830s/40s

A work made of paper.

Waistcoat Design, 1830s/40s

A work made of cotton, silver-metal-strip-wrapped cotton, and rayon in discontinuous weft plain gauze weave.

Length (Japanese style), 1920s

A work made of silk, warp-float faced satin weave; underlaid with linen, plain weave; embroidered with silk floss and silk ribbons in back, running, satin, stem and surface satin stitches; couching and french knots.

Dress Insert, 1780

A work made of paper.

Waistcoat Design, 1830s/40s

A work made of paper.

Waistcoat Design, 1830s/40s

A work made of paper.

Waistcoat Design, 1830s/40s

A work made of silk, plain weave with creped wefts (chirimen); resist dyed, stenciled and painted (yûzen-zome: tusushinori, hiki-zome and uwame); upper body and sleeves in silk, plain weave (heiken); tie dyed (hira-nui maki shibori) and lined with silk, plain weave (heiken); silk, fuki padding.

Dônuki, 1920/26, Taishô period (1912–1926)

A work made of silk, plain weave with creped wefts (chirimen) stenciled, resist dyed and painted (yûzen-zome: utsushinori, hiki-zome and uwae); lined with silk, plain weave (heiken).

Kuro tomesode, 1920/26, Taishô period (1912–1926)

A work made of cotton, wool, rayon, and metal foil laminated in cellulose acetate film, plain weave with patterning wefts and self-patterned by main warp and ground weft floats forming uncut warp pile in areas.

Panel, 1920s/30s

Maria Kipp

A work made of cotton, linen, rayon and metal foil laminated in cellulose acetate film, plain weave with discontinuous supplementary patterning warps; two selvages present.

Panel (design 9372-6043), 1920s/30s

Maria Kipp

A work made of graphite drawing on wall.

Television Room with Vanishing Points (graphite drawing on wall), 2003

Mark Manders

A work made of silk, warp-float faced satin weave; underlaid with linen, plain weave; embroidered with silk floss and silk ribbons in back, running, satin, stem and surface satin stitches; couching and french knots.

Dress Insert, 1780

A work made of color silkscreen; edition 14/32.

Tree of Knowledge, 1977

Taniguchi Shigeru

A work.

Pendant, 1870/90, Meiji period (1868–1912)

A work made of kesa: silk, synthetic (probably rayon), warp-float faced 2:1 ‘s’ twill weave with supplementary patterning wefts bound in weft-float faced 1:2 ‘z’ twill interlacings; lining: silk, synthetic (probably rayon), warp-float faced 2:1 ‘s’ twill weave; cords: silk-wrapped cotton plied cords; knotted; paper: inscribed with india ink (sumi).

Kesa, Shôwa period (1926–1989), c. 1970

A work made of silk and gold-leaf-over-lacquered-paper-strip, plain weave with weft-float faced 1:11 satin* interlacings supplementary patterning wefts.

Kesa, Showa period (1926–1989), 1926/40

A work made of kesa: silk and cotton; warp-float faced 2:1 ‘z’ twill weave with supplementary patterning weft floats and some supplementary wefts bound in weft-float faced 1:2 ‘s’ twill interlacings cords: silk, 2:2 twill square braiding; knotted lining: silk 5:1 twill damask weave; inscribed with india ink (sumi).

Kesa, late Edo period (1789–1868), 1800/68

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