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A work made of silk and cotton, warp-float faced satin weave with discontinuous supplementary pile warps forming cut voided velvet.

Panel from Dress, c. 1900

A work made of gelatin silver prints (6).

The Presence of Things in Time (Die Präsenz der Dinge in der Zeit), 1984

Dieter Appelt

A work made of color woodblock print; left sheet of oban triptych (right sheet: 1997.729a, center sheet: 1997.729b).

Women on a Fishing Boat, c. 1780/1800

Chokosai Eisho

A work made of color woodblock print; oban.

Act Five (Godanme), from the series "The Treasury of Loyal Retainers (Kanadehon Chushingura)", c. 1830/35

Keisai Eisen

A work made of color woodblock print; hosoban.

The Actor Ichikawa Yaozo II (?), late 18th century

Katsukawa Shunsho

A work made of color woodblock print; right sheet of oban diptych or triptych.

Drinking Sake at a Housewarming Party (Takubiraki shuen no zu), 1863

Toyohara Kunichika

A work made of color woodblock print; hashira-e.

The Waitress Osen of the Kagiya teahouse Carrying a Cup of Tea, c. 1769/70

Suzuki Harunobu

A work made of color woodblock print; oban.

Actor Bando Shuka I as Jujibei's Wife Ohaya (Jujibei nyobo Ohaya), c. 1848

Utagawa Kunisada I (Toyokuni III)

A work made of color woodblock print; vertical oban diptych.

Image of a Japanese Woman (Fujo Yamato sugata), c. 1830/35

Utagawa Kunisada I (Toyokuni III)

A work made of silk, warp-float faced 7:1 satin weave with weft-float faced 1:3 's' twill and plain interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts.

Panel, Mid–18th century

A work made of etching on cream laid paper.

The Life of our Lord Jesus Christ, 1720/32

Gabriel Huquier

A work made of color woodblock print; oban triptych.

View of Sagano (Sagano fukei), from the series "A Modern Genji Picture Contest (Furyu Genji e-awase)", 1853

Utagawa Kunisada I (Toyokuni III)

A work made of etching on paper.

The Resounding Sea, 1886

Thomas Moran

A work made of portfolio box.

Portfolio box, from Jeanette Pasin Sloan, 1986

Jeanette Pasin Sloan

A work made of portfolio wrapped in gray fabric, stamped in black and metallic silver, with yellow ribbon.

Portfolio, from Cinderella, 1994

William Wegman

A work made of portfolio box.

Portfolio box, from V-IDEA a priori, 1984

Nam June Paik

A work made of silk, plain weave self-patterned by stripes of gauze interlacing (tate-ro-chirimen); resist dyed, stenciled (yûzenzome: suri yûzenzome and hikizome), and painted with ink and gold; lined with silk, plain weave (heiken).

Furisode, Taishô period (1912–1926), c. 1920

A work made of silk, plain weave; printed.

Five Cigar Ribbons, 1880s

A work made of silk, plain weave with supplementary warps with bands of plain interlacings of discontinuous secondary binding warps and supplementary patterning wefts and with bands of supplementary patterning wefts; probably woven on loom with jacquard attachment.

Panel, 1890s

A work made of cotton and rayon, satin weave of complementary ground wefts self-patterned by areas of satin and twill interlacings.

Panel and Fragment "Les Liserons" or "Volubilis" (No. 13), 1923

Edouard Bénédictus

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