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A work made of watercolor on ivory.

Portrait of Mrs. Carter of Edgecote, 1793

Anne Mee

A work.

Portrait of a Man with blue coat and red vest, 1775/1822

Nathaniel Plimer

A work made of watercolor on ivory.

Portrait of an Officer, c. 1810

Henry Kirchhoffer

A work made of watercolor on ivory.

Portrait of Mr. Booth, c. 1810

John Barry

A work made of six-panel screen (one of a pair); ink, colors, and gold on paper.

Rebirth of the Nun Anyo, Early 18th century

A work made of six-panel screen (one of a pair); ink, colors, and gold on paper.

Rebirth of the Nun Anyo, Early 18th century

A work made of silk, warp-float faced satin weave; embroidered with silk in raised, knotted, and twisted buttonhole, cross, satin, and stem stitches; embroidered pile.

Box, before 1925

A work made of linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in algerian eye, antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided italian cross, satin, squared ground, and a variety of buttonhole stitches.

Sampler, 1688

Mercy Mackett

A work made of linen, plain weave; bands of cut and drawn thread work in darning, interlocking lace, satin, and needle lace filling stitches; bands of needle lace or a cut and drawn thread grid and bands embroidered with silk and linen in algerian eye, back, cross, long-armed cross, two-sided italian cross, double running, running, satin and a variety of buttonhole stitches.

Sampler, 1690

Parnell Mackett

A work made of appliquéd and embroidered quilt; dyed cotton plain weave fabrics; cotton embroidery threads.

"The Settling of the West" Quilt, March 1931/September 1932

Mildred Jacobs Chappell

Chest decorated with scenes from the Old Testament and vegetal and floral designs. The scenes and designs are made up of colored fabric, detailed embroidery, beading, and gilded metal.

Cabinet or Box Depicting Scenes from the Old Testament, 1668

Rebecca Stonier Plaisted

A work made of cotton and linen, satin damask weave; woven on loom with jacquard attachment.

Panel, 1925/29

Edmundsbury Weaving Works

A work made of cotton and linen, satin damask weave; woven on loom with jacquard attachment.

Panel, 1925/29

Russell Workshop, Ltd.

A work made of lead.

Close Pin Prop, 1969

Richard Serra

A work made of wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "spanish knots".

Carpet with Wreath Design, Late 16th century

A work made of silk, plain weave with supplementary patterning and brocading wefts forming uncut pile; three panels joined.

Carpet, 1785/1825

A work made of wool and linen, plain weave with supplementary warps forming cut pile; ten strips joined.

Carpet, 18th century

A work made of wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "turkish (ghiordes) knots".

Carpet, 18th century

A work made of wool and cotton, plain weave; with brocaded areas of supplementary wrapping wefts forming cut pile through a technique known as "ghiordes knots;" and embroidered filling of contiguous rows of stem stitches, countered in direction in alternate pairs of rows; embroidered outline stitches around pile areas.

Carpet, 18th century

A work made of wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "turkish" (ghiordes) knots.

Carpet, 1875–1900

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