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A work made of gelatin silver print.

Untitled, 1966

Bob Crawford

A work made of gelatin silver print.

Untitled, 1972

Bob Crawford

A work made of gelatin silver print.

Untitled, 1960/79

Bob Crawford

A work made of chromogenic transparencies (21).

Wall of Respect, 43rd and Langley, Chicago, 1967

Darryl Cowherd

A work made of gelatin silver print.

Untitled (Wall of Respect), 1967-71

Bob Crawford

A work made of gelatin silver print.

Untitled (Wall of Respect), 1967/71

Bob Crawford

A work made of gelatin silver print.

Untitled, 1960/79

Bob Crawford

A work made of gelatin silver print.

Stokley Carmichael, Unknown Chicago Church, 1967/68

Darryl Cowherd

A work made of gelatin silver print.

Blackstone, Woodlawn/Chicago, 1968

Darryl Cowherd

A work made of gelatin silver print.

Blackstone, Woodlawn/Chicago, 1968

Darryl Cowherd

A work made of gelatin silver print.

Brother and Pop Art, 1965

Billy Abernathy

A work made of gelatin silver print.

Chicago, 1965

Billy Abernathy

A work made of gelatin silver print.

The Robe, from the series "Born Hip", 1962

Billy Abernathy

A work made of gelatin silver print.

The Screen, from the series "Born Hip", 1967

Billy Abernathy

Photograph of a group of black children, mostly boys, who laugh outside a stone house, one with his arms wrapped around another's shoulders. A formally dressed black women stands in front of them in profile. Behind them, a black man stands in the doorway, and children perch in the windows.

Untitled, c. 1960

Jim Stricklin

A work made of gelatin silver print.

Duke Ellington, 1972/73

Ozier Muhammad

Black-and-white photograph of two dark-skinned boys. The one on the right leans back in a tall chair, eyeing the camera with an angry expression, wearing torn jeans. The boy to the left stands and looks off with a similar expression.

Shoeshine Boys, Old Town, Chicago, 1973, 1977

Ozier Muhammad

Black-and-white photograph of a dark-skinned man in a black cap and long black coat walking alongside a concrete wall with a bricked-in doorway. His eyes are downcast, and he smokes a cigarette.-

Leaving the Killing Floor (Stockyards), 1972, printed 1972/78

Ozier Muhammad

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1973

Mikki Ferrill

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1972

Mikki Ferrill

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