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A work made of transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on thick, rough-textured ivory wove paper (lower edge trimmed).

For to Be a Farmer's Boy, 1887

Winslow Homer

A work made of wood engraving on paper.

Seesaw Gloucester, n.d.

Winslow Homer

A work made of etching on cream laid paper.

The Life Line, n.d.

Winslow Homer

A work made of etching on cream japanese vellum.

Net Menders, n.d.

Winslow Homer

A work made of watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper.

The Water Fan, 1898/99

Winslow Homer

A work made of wood engraving on paper.

Thanksgiving in Camp, n.d.

Winslow Homer

A work made of wood engraving on paper.

The Apple Bee, n.d.

Winslow Homer

A work made of wood engraving on paper.

April Showers, n.d.

Winslow Homer

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting and touches of scraping, over graphite, on thick, rough-textured, cream wove paper (top and lower edges trimmed).

Tynemouth Priory, England, 1881

Winslow Homer

A work made of watercolor, with rewetting and blotting, over graphite, on thick, rough-textured, ivory wove paper.

Sunshine and Shadow, Prout's Neck, 1894

Winslow Homer

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting, scraping and graphite, on thick, moderately textured (twill texture on verso), ivory wove paper.

Stowing Sail, 1903

Winslow Homer

A work made of watercolor, with rewetting and blotting, over traces of graphite, on thick, rough-textured, ivory wove paper (top edge trimmed).

Prout's Neck, Evening, c. 1894

Winslow Homer

A work made of watercolor, with blotting and sanding, over charcoal, on moderately thick, moderately textured, ivory wove paper.

Prout's Neck, Breakers, 1883

Winslow Homer

A work made of watercolor, with rewetting, blotting, and scraping, over traces of graphite, on thick, rough-textured, ivory wove paper.

The Lone Boat, North Woods Club, Adirondacks, 1892

Winslow Homer

A work made of graphite and opaque white watercolor on medium thick, slightly textured, tan laid paper with red and blue fibers.

Flamborough Head, England, 1882

Winslow Homer

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting, and scraping, over traces of graphite, on moderately thick, rough-textured, ivory wove paper.

The End of the Day, Adirondacks, 1890

Winslow Homer

A work made of transparent and opaque watercolor, with blotting and scraping, on thick, moderately-textured, ivory wove paper.

Campfire, Adirondacks, c. 1892

Winslow Homer

Watercolor, boat debris and dark skinned man lie on beach, dark sky in background.

After the Hurricane, Bahamas, 1899

Winslow Homer

A work made of transparent watercolor with touches of opaque watercolor, rewetting, blotting and scraping, over traces of graphite, on thick, moderately textured, ivory wove paper (top edge trimmed).

Adirondacks Guide, 1892

Winslow Homer

A work made of etching on ivory parchment.

Eight Bells, 1887

Winslow Homer

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