Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work.

Fragment, 18th century

A work.

Fragment, Muromachi period (1392–1573)/ Momoyama period 1573–1615)/ Edo period (1615–1868), 1475/1625

A work made of plain compound twill, silk & gilt paper; 1 1/2 strips to m.m..

Fragment, Edo period (1615–1868), 1775/1825

A work made of plain simple cloth, silk embroidered with floss and gilt paper wound on white linen? core couching and satin stitch..

Fragment, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

A work made of plain compound satin, silk and gilt paper; 3 strips to m.m..

Fragment, Qing Dynasty (1644–1911), Mid 18th century

A work made of fancy compound satin, silk and gilt paper; 2 strips to m.m..

Fragment, Edo period (1615–1868), 1775/1800

A work made of brocaded plain simple twill (kara ori) silk..

Fragment (From Noh Costume), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of fancy compound satin silk and silvered paper; 2 strips to m.m..

Fragment, Edo period (1615–1868), 1700/25

A work.

Fragment, Edo period (1615–1868), 1775/1825

A work.

Fragment, late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work.

Fragment, Edo period (1615–1868), 1775/1825

A work made of fancy compound satin, silk and gilt paper; 2 strips to m.m..

Fragment, Edo period (1615–1868), 1775/1800

A work made of plain compound satin, silk and silvered paper; 2 strips to m.m..

Fragment, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

A work made of silk, plain weave with gilt-metal-strip supplementary brocading wefts held in twill interlacings.

Fragment, Edo period (1615–1868), 1725/75

A work made of silk, plain weave with secondary binding warps tying supplementary self-patterning ground wefts in twill interlacings.

Fragment, 1775/1825

A work made of plain compound satin silk and gilt paper; 3 strips to m.m..

Fragment, 17th century

A work made of woodcut in black with hand-colored additions and letterpress in black with rubrication (recto and verso) on ivory laid paper.

The Scourging of Christ (verso), and The Israelites Enslaved in Egypt (recto), from Schatzbehalter (Treasury), 1491, portfolio assembled 1929

Michel Wolgemut

A work made of lithograph in color.

The Tramp, 1897

Théophile-Alexandre Pierre Steinlen

A work made of woodcut in black on cream wove paper.

Wrestlers, 1924/31

John J. A. Murphy

A work made of woodcut in black on cream wove paper.

Sprinters, 1931

John J. A. Murphy

<<<1257125812591260 >>>