Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

USA Contingent, Closing Ceremony, National Stadium, 1977, printed later

Marilyn Nance

A work made of gelatin silver print.

National Stadium Crowd, 1977, printed later

Marilyn Nance

A work made of gelatin silver print.

Tafawa Balewa Square Crowd, 1977, printed later

Marilyn Nance

A work made of gelatin silver print.

Let Down, 2016

Eileen Quinlan

A work made of woodcut in black, colored, and metallic inks on cream japanese paper.

Hopi with Manta, from Memorial Woodcut Suite, 1978, published 1979

T. C. Cannon

A work made of gelatin silver print.

Origins, 2016

Eileen Quinlan

A work made of gelatin silver print.

Enduring Frustration, 2015

Eileen Quinlan

A work made of gelatin silver print.

Broken Figure, 2014

Eileen Quinlan

A work made of gelatin silver print.

Attachment, 2014

Eileen Quinlan

A work made of gelatin silver print.

Super Moon, 2014

Eileen Quinlan

A work made of pen and black ink, brush and black ink wash, and opaque watercolor on white wove paper.

Page 5, from Fraternity Magazine, June 1966

Joe Orlando

A work made of pen and black ink, brush and black ink wash, and opaque watercolor on white wove paper.

Page 4, from Fraternity Magazine, June 1966

Joe Orlando

A work made of pen and black ink, brush and black ink wash, and opaque watercolor on white wove paper.

Page 3, from Fraternity Magazine, June 1966

Joe Orlando

A work made of pen and black ink, brush and black ink wash, and opaque watercolor on white wove paper.

Page 2, from Fraternity Magazine, June 1966

Joe Orlando

A work made of graphite pencil on cream wove paper.

Study for Angelus Lumen/Octo, c. 1964

Dan Ramirez

A work made of graphite on ivory wove paper.

Study for Angelus Lumen/Octo, c. 1964

Dan Ramirez

A work made of graphite and colored pencil on white wove paper.

Drawing for "Averno", 2020

Richard Rezac

A work made of pen and black ink, brush and black ink wash, and opaque watercolor on white wove paper.

Page 1, from Fraternity Magazine, June 1966

Joe Orlando

A work made of brush and black ink and pen and ink, with opaque white watercolor, on white wove paper.

Cop Art (LBJ), January 1968

George Woodbridge

A work made of brush and black ink and pen and black ink, with opaque white watercolor, on white wove paper.

The Were-Wolf, June 1968

George Woodbridge

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