Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of blue felt-tip pen on cream wove paper.

Untitled, 1967/68

Theodore Halkin

A work made of colored pencil and graphite on cream wove paper.

Untitled, 1967

Theodore Halkin

A work made of colored pencil, colored chalk, and black felt-tip pen on cream wove paper.

Untitled, 1967/68

Theodore Halkin

A work made of gelatin silver print.

Mrs. István Sebők, Berlin, 1930

Gyula Pap

A work made of white gesso, gray acrylic paint, and black felt-tip pen on white wove paper.

Ghost Tango, 2010

Corey Postiglione

A work made of colored pencil and blue felt-tip pen on cream wove paper.

Untitled, 1967/68

Theodore Halkin

A work made of colored pencil and colored chalk with graphite and carbon transfer on cream wove paper.

Untitled, 1967/68

Theodore Halkin

A work made of colored pencil and pink felt-tip pen on cream wove paper.

Untitled, 1968

Theodore Halkin

A work made of colored pencil on cream wove paper.

Untitled, 1968

Theodore Halkin

A work made of colored pencil, colored chalk, and black felt-tip pen on cream wove paper.

Untitled, 1968

Theodore Halkin

A work made of brush and blue ink on white wove paper, cut and pasted on pieced, white wove paper, with pink and yellow paint, coated overall with gloss medium.

The Brazilians #2, 1988

Donald Baechler

A work made of graphite on cream wove paper.

Drawing of Corner, 1967

Robert Moskowitz

A work made of oil and liquitex paint on paper mounted on plastic.

Blue Replica #4, 1965

Jo Baer

A work made of graphite on ivory wove paper.

Untitled, 1964/66

Dan Flavin

A work made of graphite on cream wove paper.

Drawing for a Five Unit Vertical Stack, 1965

Donald Judd

A work made of colored pencil with carbon transfer on cream wove paper.

Untitled, 1968

Theodore Halkin

A work made of colored pencil and metallic colored pencil with carbon transfer on cream wove paper.

Untitled, 1968

Theodore Halkin

A work made of graphite and pen and black ink, with touches of opaque, white watercolor on cream laid paper.

Farmer Requesting Permission to Marry a Nobleman's Daughter, 1761

Gabriel Jacques de Saint-Aubin

A work made of balsa wood.

Altamira Residence, Rosario, Argentina: Model, c. 1998

Rafael Iglesia

A work made of aisi 1045 carbon steel.

Forge Chair (Square Chair #2) 298, 2017–2018

Max Lamb

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